在線(xiàn)看
同款熱播
贖命
Leslie-Anne Huff,Roy Werner,Kimberly Estrada,陳奕迅,Lee Perkins少女凱特（萊斯利-安妮·哈芙 Leslie-Anne Huff 飾）擁有一種神奇的能力，隨便什么人，她只要看上一眼，便能知道他的死期為何時(shí)。一次偶然中，凱特遇見(jiàn)了名為杰森（Anthony Chaput 飾）的男子，凱特發(fā)現(xiàn)杰森擁有能夠在死后和現(xiàn)世交流的能力，并且，杰森的死期就在幾個(gè)小時(shí)之后。一直想要知道死后世界是什么模樣的凱特?cái)[脫杰森在死后同她聯(lián)絡(luò)，杰森興然應(yīng)允。 果然，很快杰森便死了，在臨死之時(shí)，一副詭異恐怖的畫(huà)面出現(xiàn)在了杰森的眼前。之后，凱特果然接到了杰森來(lái)自“陰間”的電話(huà)，根據(jù)杰森的指使，凱特需要前往香港，在那里，一位名叫達(dá)倫（陳奕迅 飾）的酒保正在等她。
絢爛一刻
查莉XCX,亞歷山大·斯卡斯加德,瑞秋·塞諾特,凱特·貝蘭特,羅姍娜·阿奎特,詹米·德米特魯,凱莉·詹娜,阿麗爾·朵巴絲勒,邁克爾·沃克耶,海利·蓋茨,艾薩克·鮑威爾,里什·沙阿,特魯·馬倫,莎拉·貝克·馬瑟,瑞安娜·杜斯,Richard Perez,埃什·阿拉迪,Keanan Cantrell,James Bayes,Mel Ottenberg一位冉冉升起的流行歌手在為她的巡回演唱會(huì)首秀做準(zhǔn)備的同時(shí)，努力應(yīng)對(duì)名利和行業(yè)壓力的復(fù)雜壓力，揭示了地下文化向主流成功的轉(zhuǎn)變。
利益區(qū)域
克里斯蒂安·富里道爾,桑德拉·惠勒,約翰·卡特豪斯,拉爾夫·赫爾福特,弗雷婭·克羅伊茨卡姆,馬克斯·貝克,伊摩根·蔻格,斯蒂芬妮·佩特羅維茨,拉爾夫·齊爾曼,瑪麗·羅莎·提特言電影講述了奧斯維辛集中營(yíng)的指揮官魯?shù)婪颉せ羲购退钠拮雍５罗备裨诩袪I(yíng)旁的一所房子里和花園中為他們的家庭打造夢(mèng)想生活的故事。
伊甸之槍
Alexandra Faye Sadeghian,Bill Kennedy,Peter Johnson四名周末露營(yíng)者被武裝民兵追捕。
獵戰(zhàn)狂徒
鄭楚一,魏曉璇,文東俊,曾晨,鄒兆龍,盧惠光,邢瀚卿,英壯,梁焯滿(mǎn),閔政,孫蛟龍,王澤宗,王洪千,包小平,任珅,吳豪,徐寧,趙思陌,楊光,朱翔,張振宇故事圍繞緝毒警察何光辰（鄭楚一飾）追查“將軍”販毒集團(tuán)展開(kāi)。一群“鬼面”狂徒黑吃黑劫走毒品，而幕后主使竟是何光辰的警校摯友（鄒兆龍飾），兩人從并肩立誓到正邪對(duì)立，上演刺刀見(jiàn)紅的生死博弈。劇情通過(guò)血腥動(dòng)作場(chǎng)面和兄弟反目的人性?huà)暝衣逗趷簞?shì)力真相，最終將罪惡繩之以法。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.