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同款熱播
我獨自蜜月
凱文·詹姆斯,妮可·吉瑪多,金·寇茲,艾莉森·漢尼根,喬納森·魯米,茱莉·塞爾達,朱莉·安·埃默里,安德烈·波切利,詹卡洛·巴爾托洛梅伊,克里斯蒂娜·阿爾比,阿麗娜·切爾尼,亞歷山德羅·卡博納拉,卡特琳娜·席爾瓦,弗吉尼亞·波切利,朱莉婭·梅西娜,埃薇莉娜·梅格納吉,斯特凡娜·德拉·克魯茲,薩洛梅·錢德勒,謝伊·詹姆斯,瓦倫蒂娜·福伊斯在羅馬遭遇婚禮災難后心碎而歸，一位滯留的新郎發現，一位執著的當地人和幾位愛管閑事的旅人，竟讓他的蜜月之旅煥然一新——證明了心碎有時只是新的開始。
侏羅紀統治
Eric Roberts,Jack Pearson,Jamie BernadetteIn Jurassic Domination, “When two military-made, weaponized dinosaurs attack a small mountain town, it’s up to the sheriff to figure out a way to stop the creatures before the dinos escape and wreak havoc nationwide.” Eric Roberts (The Dark Knight), Jack Pearson (Pam & Tommy), and Jamie Bernadette (“NCIS: New Orleans”) lead the movie’s cast.
菜肉餛飩
周野芒,潘虹,茅善玉,陳國慶,王琳,徐祥,高博文,王菊,陳龍,馮瑪婭,倪夏蓮,安棟,王佳彥,曹可凡,袁鳴,章齡之,戰士強,張芝華,張建亞,顧曉東,卞根琴,孔祥東,賈梓樂,錢小昆,陳瀚波,黃英上海的退休工程師老汪與兒子有一個約定，每周六小汪會回父母家一次，順便吃碗老汪拿手的菜肉餛飩。為了讓兒子早點結婚生子，老汪在愛人素娟的啟發下，決定自己去公園相親角為兒子物色一名婚戀對象。在相親角，老汪結識了老金、美琴、阿芳等人，自己也無意中卷入了一場始料未及的情感漩渦之中。
鬼神童子1997
橫山智佐,山口勝平,小杉十郎太,丹羽紫保里,兒玉桃代,沼波輝枝,一城美由希,石桃子小明受到“伊吹家”邀請，來此地驅魔 。不慎迷路后，在村里的“櫻花樹”前偶遇伊吹家“孿生姐妹” 在前往伊吹家宅途中，目睹了一位被殺少女的葬禮。到達伊吹家，從“女主人”那里得知從秋天開始就不斷有少女莫名被殺 。目前村里存活下來的年輕少女，只剩伊吹家的孿生姐妹了 。女主人請求小明驅除鬼怪，挽救女兒的生命 。不料真正的殺人兇手正是兩位姐妹。
近戰
杜夫·龍格爾,吉娜·梅,邁克爾·帕爾,巴沙爾·拉海爾,詹姆斯·查爾克身陷囹圄的特種兵麥克（杜夫·龍格爾 Dolph Lundgren 飾）終于迎來了被保釋的那一天，然而，令麥克沒有想到的是，保釋他的不是別人，居然是美國大使館的官員克萊夫（邁克爾·帕爾 Michael Paré 飾）。原來，有一項充滿了危險和變數的任務擺在眼前，而身經百戰經驗豐富的麥克則是這項任務最合適的執行者。 根據提示，麥克需要去營救一位名叫安娜（吉娜·瑪麗 Gina Marie 飾）的女子，安娜遭到了武裝綁架，有可能被敵方洗了腦。而當麥克找到安娜時，安娜卻告訴麥克她被綁架一說是子虛烏有，而麥克要將她帶走的行為才是真正的綁架。安娜和克萊夫之間，一定有一個人在說謊，沒過多久，陷入了困惑之中麥克就發現，他和安娜已經成為了眾矢之的。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster