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悄然之星
神樂(lè)坂惠,遠(yuǎn)藤賢司,池田優(yōu)斗,森康子無(wú)數(shù)次的災(zāi)難與戰(zhàn)爭(zhēng)，讓人類(lèi)的數(shù)量銳減，似乎也因此使得宇宙變得更加寧?kù)o。而今人工智能機(jī)器人已在宇宙間占有絕對(duì)的統(tǒng)治地位，人類(lèi)卻只有兩成左右。雖然科學(xué)極大進(jìn)步，可惜人類(lèi)無(wú)法突破壽命的百年限定，他們匆匆而來(lái)，默默而終，不知不覺(jué)走向滅亡。 帶有濃重昭和氣息的宇宙飛船中，生活著編號(hào)為722的人形機(jī)器人鈴木洋子（神樂(lè)坂惠 飾）。她與AI機(jī)器人相伴，永遠(yuǎn)奔波在漫長(zhǎng)的宇宙旅途中。她的日常百無(wú)聊賴，洗衣服、縫扣子、剪指甲、打掃衛(wèi)生，孤獨(dú)與靜寂永無(wú)止境。洋子是一名宇宙快遞員，她所投遞的貨物卻都是些看似無(wú)關(guān)緊要的小物件。每次投遞需要花費(fèi)數(shù)年時(shí)間，縱使瞬間旅行已成可能，不過(guò)她卻似乎有什么理由消磨這漫長(zhǎng)的時(shí)光。一顆孤獨(dú)的星球上，仿佛被全宇宙所遺忘的人類(lèi)，在破敗的街道上等待著遠(yuǎn)方的造訪……
再一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,喬納森·懷特賽爾,裘德·威爾遜,加菲爾德·威爾遜,Keana Velsen,西蒙·錢(qián),威廉·威爾德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德魯·科蘭特斯,Tommy Europe,Karina Frislev前特種部隊(duì)隊(duì)員丹尼被迫重返一座偏遠(yuǎn)孤島。一個(gè)殘暴又隱秘的組織為了報(bào)復(fù)，綁架了他的女兒亞歷克斯，并布下天羅地網(wǎng)，對(duì)他展開(kāi)一場(chǎng)步步緊逼、針對(duì)他所有行動(dòng)都早有準(zhǔn)備的殘酷獵殺。
?校正單元?
Sonny Middleton,Elleese Bradshaw,Kirsty Smedley,齊亞德·阿巴扎,貝拉·拉姆齊,喬納森·菲利普斯,艾莉森·馬丁·瓊斯 Alison Martin JonesA group of violent and misguided young offenders are experimented on using brutal AI technology at a sinister institute.
年少有你
張善南,李明源,范云飛,郭素潔,李炎峰,王天宇,顏世魁,區(qū)天瑞墨彩寧（張善南 飾）是一名普通的高中學(xué)生，因?yàn)榘嘀魅危ㄍ跆煊?飾）就是自家小姨，所以自己的一舉一動(dòng)都逃不過(guò)小姨的法眼，平日只好偽裝成乖乖學(xué)生，但本質(zhì)上卻是一個(gè)不折不扣的追星達(dá)人。轉(zhuǎn)校生顧天琦（李明源 飾）的到來(lái)讓她本來(lái)平靜的生活發(fā)生了巨大轉(zhuǎn)變，她發(fā)現(xiàn)這位引人注目的同桌竟是偶像顧云凡（區(qū)天瑞 飾）的親弟弟，在顧天琦的囑咐下，墨彩寧答應(yīng)保守住這個(gè)秘密。可特殊身份的消息還是不脛而走，也因此與閨蜜張公主（郭素潔 飾）產(chǎn)生了誤會(huì)，為了能讓張公主不再難過(guò)、顧天琦不再轉(zhuǎn)學(xué)，墨彩寧與同學(xué)袁遲（范云飛 飾）、同學(xué)童輝（李炎峰 飾）等人團(tuán)結(jié)一心解決了困擾。在相處中，墨彩寧決心要成為像顧天琦一樣優(yōu)秀的人。轉(zhuǎn)眼到了寒假，在盛大的煙花下大家樹(shù)立了各自的人生目標(biāo)，帶著珍貴的友誼走向憧憬的未來(lái)……
魔力，魔力
艾米莉·布朗寧,邁克爾·塞拉,朱諾·坦普爾,卡塔琳娜·桑地諾·莫雷諾,阿古斯丁·席爾瓦第一次出國(guó)的艾莉西亞從加州到了南美，并和表姐的朋友們一起，踏上了一段遠(yuǎn)離城市的旅程。然而表姐半途有事而返，留下她與三個(gè)陌生人。這三個(gè)陌生人中，一個(gè)是時(shí)不時(shí)做出奇怪舉動(dòng)，說(shuō)話不顧后果，甚至有虐 待傾向的同性戀，一個(gè)是郁郁寡歡，總是板著面孔，似乎對(duì)艾莉西亞做的任何事都不滿意的大姐，還有一個(gè)是表姐那個(gè)看起來(lái)雖然友善，卻癡迷于催眠術(shù)的男朋友。面對(duì)陌生的國(guó)度，奇怪的人，空蕩的房間，狂野的世界，艾莉西亞脆弱的神經(jīng)不斷受到挑戰(zhàn)。失眠、夢(mèng)魘、幻覺(jué)帶來(lái)了焦慮、驚恐、不安，艾莉西亞要怎樣走完這一段旅程，又是否能脫離險(xiǎn)境?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.