銀飾
《銀飾》線上看,由黃健中導(dǎo)演,谷洋,嚴(yán)順開,王同輝等演員領(lǐng)銜主演,影片主要講述了故事發(fā)生在民國1920年，江陽縣知事呂敬仁的宅院;明德府 ;內(nèi)。呂敬仁的大公子道景是同xing戀，并有私丅珍藏及把玩釹xing服飾及精美文字的怪癖。道景的妻子無法忍受這種名存實(shí)亡的夫妻生活，偷偷與江陽縣;宣恒;的小銀匠少恒好上了。敬仁了解兒媳婦與少恒的私情后，不動聲色，祂以為官府同仁的家眷做的名義，讓把小銀匠請進(jìn);明德府 密謀毒死少恒，嫁禍兒媳婦，借少恒父親老銀匠失之子之痛勒死兒媳婦。道景為妻子死去的事尋到服毒的老銀匠后，明白，是父親一手制造了這幕悲劇 在秋風(fēng)蕭瑟的墳頭，呂道景身著，一身釹裝，靜靜的死去 ;關(guān)于;吃奶 的情節(jié)鈡有一段釹主角和小銀匠比較激情的戲，在最初拍攝的版本鈡，這一段是全部真,銀飾"
即刻觀影
劇情賞析
編輯推薦
蠻好偵探
拉塞爾·托維,安德麗婭·賴斯伯勒,埃茜·戴維斯,史蒂夫·庫根,杰西卡·巴登,哈麗特·瓦爾特,西蒙·卡洛,西蒙·法納比,尼古拉斯·法瑞爾,朱利安·巴拉特,大衛(wèi)·斯科菲爾德,理查德·麥凱布,亞歷克斯·丹肯,托尼·威,阿萊克斯·溫德漢姆,喬丹·朗一名瘋狂殺人犯告訴警方他只愿意跟一位1980年代虛構(gòu)的電視節(jié)目警探交談后，當(dāng)初飾演警探但現(xiàn)在已過氣的演員于是粉墨登場。
客房服務(wù)2024
Alif Satar,Sharifah Sakinah,呂楊,Shiqin Kamal,Norreen Iman,Khir Rahman,Josiah Hogan,Pablo Amirul,Didie Alias,Ropie,Maria Farida,Angeline Tan,Joanne Kam,Radhi Khalid,Sabrina Ali,Vikar,Deen Maideen約翰是一名家政人員，他試圖通過向妻子承諾，他不規(guī)律、不可靠的跳槽期已經(jīng)結(jié)束，來挽救他的婚姻。當(dāng)他在酒店發(fā)現(xiàn)一袋錢時，他和其他酒店工作人員莫莉和阿福試圖把錢拿出來，同時逃離歹徒和警察。在這場混亂中，約翰也在努力贏回他的妻子。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
與你同住
張光北,馬羚,周國賓,陳煒,劇雪北京某研究院的地下室里，住著一群尚無分房資格的大齡青年。朱一丹好不容易爭取到一間小屋——與推銷員羅大俠合住一個單元，成為青年中第一個即將“爬上地面”的幸運(yùn)兒。這天，他的女朋友尹瀾瀾和初有成、孫曉琪等伙伴設(shè)宴為他送行。席間，青年們從房管處的老曹口中獲悉，明天將要分配一批住房，但前提是必須持有結(jié)婚證。正當(dāng)大家為朱一丹和尹瀾瀾慶幸時，他們卻向眾人宣布決定分手。為了把朱一丹擠出去，羅大俠和妻子小楓在門廳里設(shè)置了許多“路障”；還用面糊堵住了朱一丹小屋的鎖眼，害得喬遷的朱一丹在門廳睡了一夜。青年們?yōu)榱朔值椒孔蛹娂娦袆悠饋?。尹瀾瀾也結(jié)交了新的男朋友——馬自達(dá)。誰知，馬自達(dá)一見到孫曉琪立刻轉(zhuǎn)了向，尹瀾瀾痛苦萬分。一天，小混混丁三趁大俠不在家，企圖調(diào)戲小楓，被朱一丹趕走，小楓對朱十分感激。一個偶然的機(jī)會，朱一丹與初有成的表妹晶晶相遇，二人一見鐘情。逛商店時，晶晶看中了一套時裝，朱一丹在付錢時才尷尬地發(fā)現(xiàn)自己看錯了價(jià)碼，囊中款項(xiàng)根本不夠。一天，小楓在洗澡時煤氣中毒，朱一丹把她抱出浴室做人工呼吸，恰被出差歸來的大俠撞見。大俠不問青紅皂白，對朱一丹大打出手，小楓一氣之下回了娘家。在朱一丹的勸導(dǎo)下，夫妻二人和好如初。晶晶進(jìn)了外企，并被派到南方任職。朱一丹買下那套時裝，趕到機(jī)場為她送行，卻意外地得到晶晶要與他分手的消息。但朱一丹并沒有被痛苦壓垮，很快振作了起來。為了能夠分到住房，照顧癱瘓的老父親，尹瀾瀾情急之下，竟決定嫁給年愈50的單身漢老曹。為了幫助尹瀾瀾，朱一丹決定跟她“假結(jié)婚”。洞房花燭之時，這一對新人舊情萌發(fā)假戲成真。
極度空間
羅迪·派彭,凱斯·大衛(wèi),梅格·福斯特,喬治·“巴克”·弗勞爾,皮特·杰森,雷蒙·雅克,Jason Robards III,John Lawrence,Wendy Brainard,Norm Wilson,Norman Howell,諾曼·阿爾登,Dana Bratton在未來的某個年代，人們的思維已經(jīng)被政府機(jī)構(gòu)控制，政府機(jī)構(gòu)通過電視信號傳輸一種催眠電波控制人們的行動。但是一些不甘心被強(qiáng)權(quán)統(tǒng)治的人們研究出一種眼鏡，戴上這種眼鏡，電視節(jié)目里道貌岸然的官員就會現(xiàn)出骷髏般的原形……
寒刀凜
劉峰超,張浩,尹鍵,肖琳揚(yáng)明朝年間，錦衣衛(wèi)陸欽因罪被發(fā)配充軍，途中因緣際會，與樊英押送貪官張嵩回京指認(rèn)通敵太監(jiān)王公公。經(jīng)過生死追逃，最終陸欽犧牲，張嵩抵京，卻被王公公處死于監(jiān)牢。多年后，王公公被樊英擊殺，善惡終得報(bào)。