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被撓

　　網(wǎng)絡(luò)上流傳著關(guān)于“撓癢”的神秘競(jìng)技，一個(gè)同志想?yún)⑴c這場(chǎng)“撓癢癢大賽”卻被告知此運(yùn)動(dòng)僅限直男。記者大衛(wèi)·法里爾(David Farrier)深入探尋后發(fā)現(xiàn)“撓癢”的背后是一條完整的灰色產(chǎn)業(yè)鏈，這其中不僅有撓癢視頻的制作方對(duì)演員的壓榨與侵害，甚至還能看到美國(guó)由金錢操縱的階級(jí)制度的冰山 一角。 本片曾獲得2016年第32界圣丹斯電影節(jié)世界電影單元紀(jì)錄片評(píng)審團(tuán)大獎(jiǎng)提名。　　一場(chǎng)“撓癢”的運(yùn)動(dòng)，卻讓人笑不 出來(lái)。

漫畫威龍之大話特務(wù)

　　特務(wù)變身網(wǎng)漫作家，史上最ㄎㄧㄤ斜槓人生？　　韓國(guó)國(guó)家情報(bào)局秘密組織「防牌鳶」，專將孤苦無(wú)依的小孩培訓(xùn)成頂尖特務(wù)，其中身手矯健的特務(wù)阿俊(權(quán)相佑飾)由魔鬼教頭千德奎(鄭俊鎬飾)親自訓(xùn)練，他快狠準(zhǔn)的身手一舉殲滅無(wú)數(shù)罪犯，成為恐怖份子都聞之喪膽的金牌特務(wù)…然阿俊心裡卻有個(gè)小小夢(mèng)想－成為超人氣網(wǎng)路漫畫家！　　于是，他決定在一次任務(wù)中詐死脫身，隱姓埋名努力畫畫15年，但他的漫畫卻被網(wǎng)民嫌到爆，甚至被譏為靠太太美娜(黃雨瑟惠飾)養(yǎng)的中年魯蛇。　　某夜鬱鬱不得志的阿俊藉酒消愁，將他的特務(wù)人生畫成漫畫上傳一夕爆紅，無(wú)心之舉掀起網(wǎng)民空前轟動(dòng)，更引來(lái)情報(bào)局和恐怖份子的大追殺…

貘之歌

四個(gè)背景經(jīng)歷各不相同的年輕人在北京的一個(gè)出租屋里喝酒，但因?yàn)橄敕ú灰唬ハ嘤幸恍┟苋缓蟠蛄艘患埽旖槿耄蠼Y(jié)束。

烏龍?zhí)毓?/h3>道恩·強(qiáng)森,凱文·哈特,艾米·萊安,丹尼爾·尼科萊特,杰森·貝特曼,亞倫·保爾,瑞恩·漢森,蒂姆·格里芬,托馬斯·克萊舒曼,梅根·帕克

　　會(huì)計(jì)師卡爾文（凱文·哈特 Kevin Hart 飾）在高中時(shí)代曾是學(xué)校的體育明星，他熱心張羅高中同學(xué)聚會(huì)，于是在Facebook上聯(lián)系到了老同學(xué)鮑勃（道恩·強(qiáng)森 Dwayne Johnson 飾），他沒(méi)想到這個(gè)在高中時(shí)常受欺負(fù)的老同學(xué)現(xiàn)在已經(jīng)是CIA的職業(yè)殺手，而他也萬(wàn)萬(wàn)沒(méi)想到自己將被卷入制止軍事秘密泄露的任務(wù)中。

紅粉金剛

　　六本木的一所廢棄校園內(nèi)，每晚都進(jìn)行著非法格斗技表演“Girl‘s Blood”，四名少女投身于此，在鐵囚籠中上演赤裸內(nèi)心與身體的碰撞。曾主演《假面騎士555》《假面騎士Kiva》的芳賀優(yōu)里亞，本片中大膽挑戰(zhàn)全裸出鏡，扮演一名討厭女性，患有“性別認(rèn)同障礙”的空手道家——皐月。另外，多田麻美扮演從家暴丈夫那里逃出來(lái)的人妻格斗家——千夏，水崎綾女扮演SM女王——美衣子,小池里奈扮演長(zhǎng)有洛麗塔臉蛋的OL——真由。　　本片是一部Girls Action，原作為直木賞作家櫻庭一樹(shù)的小說(shuō)，由擅長(zhǎng)特?cái)z動(dòng)作片的坂本浩一導(dǎo)演執(zhí)導(dǎo)。

那個(gè)人在想什么事情

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.