男得有情天

　　影片主打懸疑驚悚，將中日鬼神文化腦洞大開的融合在一起，兩股勢力的對戰讓影片過程驚喜不斷。高顏值與精良的制作讓這部電影成為難得的網絡大電影佳品。　　影片破天荒的將貞子與碟仙兩個角色設置成為撕逼對抗，增添了影片的可看性。人性化的處理、懸疑的升級、科學合理的解釋和恰到好處的驚悚效果，讓影片回歸到了十分理性的邏輯上。主演們均是養眼的俊男靚女搭配，身著統一的校園制服清新亮麗，讓一些男性觀眾對《貞子大戰碟仙》無可挑剔

　　阿格涅絲卡·霍蘭憑借這部迄今為止最具野心的作品達成了導演生涯的巔峰，她呈現了一部關于20世紀捷克標志性作家弗朗茨·卡夫卡的傳記片。影片以萬花筒般的拼貼手法構建而成，追隨卡夫卡留下的足跡——從19世紀的布拉格出發，直至他在維也納辭世，時間跨度涵蓋第一次世界大戰及之后。《弗朗茨》一片將為觀眾提供一個獨特的視角，一窺這位文學巨匠背后的人生軌跡。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　與歷史書告訴我們的不同，阿道夫·希特勒并沒有在他的地堡里自殺，而是在他的潛艇里逃往非洲大陸。與他的新手下，臭名昭著的日本軍事領導人東條英樹和殘暴的馬夫戈林，他計劃再次征服世界——從加納開始。憑借他忠誠的甘雅利安人(雖然被洗腦了)的力量和他超人的空手道力量，希特勒摧毀了非洲的影蛇功夫學校，殺死了它的領袖。為他的師父悲傷，功夫弟子阿多尋求報復參加了希特勒的武術比賽。他能找到身體和心靈的力量來打敗邪惡的獨裁者嗎?