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Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
阿格內塔是個色彩鮮明且幽默的人,但表面上并不明顯。她剛滿49歲,孩子們已經離巢,交通辦公室的工作停滯不前,阿格內塔感到自己像個透明人。而她的丈夫則通過泡冰水澡和穿著昂貴裝備快速騎行找到了生活的意義。為了逃離日常生活的枯燥枷鎖,阿格內塔離開了安全的瑞典生活,去法國為一位瑞典男孩做保姆。然而,當男孩艾納爾其實是一位年邁古怪的瘋狂紳士時,誤會成了事實。這成為一段混亂而充滿生命力的友誼的開始,徹底顛覆了阿格妮塔對生活和自我的認知。因為一個人到底怎么能活出自己寶貴的生命呢?
故事發生在一所女子基督教寄宿學校。安娜因能看見鬼魂,總覺得自己與周圍格格不入。她的室友里香則截然不同:她人氣爆棚、受人喜愛,是個讓所有人都心生敬佩的優等生。然而,當里香選擇自殺后,整個學校都陷入了震動,其中最受打擊的莫過于她最親密的朋友詩織——詩織始終難以接受這一失去,試圖弄明白背后的緣由。安娜發現里香的日記后,開始感覺到里香的靈魂在自己面前顯現,并且正慢慢滲入她的身體……
約翰是一名家政人員,他試圖通過向妻子承諾,他不規律、不可靠的跳槽期已經結束,來挽救他的婚姻。當他在酒店發現一袋錢時,他和其他酒店工作人員莫莉和阿福試圖把錢拿出來,同時逃離歹徒和警察。在這場混亂中,約翰也在努力贏回他的妻子。