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歐文·威爾遜,蕾克·貝爾,斯特林·杰里斯,克萊爾·吉爾蕾,皮爾斯·布魯斯南,塔納武·克薩羅, 查恰瓦·卡蒙薩皮塔克,薩哈賈克·波斯安吉特,塔納波爾·丘克瑞達,努弗恩·布艾,卡納帕·平蒂昂,斯泰西·卓博斯基,拜倫·吉布森,斯賓塞·加雷特,佩姆·巴比爾,吉米·居尤,柳青,伊戈·米基塔斯,邦妮·澤勒巴克我的同桌是極品
宋晨,苑喬抓住稻草的野獸
全度妍,鄭雨盛,裴晟祐,尹汝貞,鄭滿植,陳慶,申鉉彬,鄭家藍,金準韓,樸智煥,許棟元,裴振雄,林皓俊荒誕一天
娜因·岡澤勒斯·諾威德,阿德里安娜·巴拉薩,卡珊德拉·錢蓋羅蒂,丹尼爾·托瓦,阿爾佛萊德·卡斯特羅,娜塔莉亞·索利安,費爾南達·卡斯蒂略,勞爾·布里奧內(nèi)斯,莫妮卡·德爾·卡門,Fernando Cattori,伊爾絲·薩拉斯,Juanki Durán,ángeles Cruz撒旦遇見淑女
Bette Davis,Warren William伊凡雷帝
尼古拉·切爾卡索夫,Lyudmila Tselikovskaya,Serafima Birman,米哈伊爾·納茲瓦諾夫,米哈伊爾·扎羅夫,Amvrosi Buchma,米哈伊爾·庫茲涅佐夫,帕維爾·卡道奇尼科夫,安德烈·阿布里科索夫,Maksim Mikhajlov,弗拉基米爾·巴拉瑟夫,弗謝沃羅德·普多夫金,謝苗·鐵木辛哥,Aleksandr Rumnyov老夫子
王沙,矮冬瓜,李菁,劉陸華同系列推薦
密道尋寶
邁克爾·帕爾,科斯塔斯·曼迪勒,Orlando Charvetto夏娃的女兒
Sarsi Emmanuelle,Maria Isabel Lopez,Myra Manibog最佳拍檔3:女皇密令
許冠杰,麥嘉,張艾嘉,許冠英,曹達華加里市
艾邦·摩斯-巴克拉赫,喬·博恩瑟,阿尤·艾德維利,萊昂內(nèi)爾·博伊斯,艾比·艾略特,馬蒂·馬得勝,杰瑞米·艾倫·懷特,莉莎·科倫-扎亞斯,馬琳·愛爾蘭,吉莉安·雅各布斯,Nation Sage Henrikson,T.J. Jagodowski,Elisha Evans,Richard Gomez,Lisa Beasley情圣保鏢
熱拉爾·德帕迪約,凱瑟琳·海格爾,道爾頓·詹姆斯,費斯·普林斯香檳情緣
敏卡·凱利,湯姆·沃茲尼奇卡,弗盧拉·博格,澤維爾·塞繆爾,梅芙·庫蒂埃-李利,蒂博·德·蒙塔朗貝爾,肖恩·阿姆辛,米切爾·馬倫,阿斯特里德·惠特納爾,懷亞特·亞歷山大幕后花絮
大小姐和看門犬2025
本片改編自同名漫畫,講述了隱瞞黑道孫女的事實,下定決心要度過平凡的青春和談平凡的戀愛的瀨名垣一咲,和因為過度保護她而虛報年齡,走后門進高中,動不動就露出黑幫身份的年輕頭目宇藤啟彌,兩人之間酸酸甜甜、有笑有心動的愛情攻防戰(zhàn)。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.