　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

今夜星光燦爛

1948年冬，淮海戰(zhàn)場。電話員小于（黃小雷飾）在執(zhí)行任務(wù)中救下了準(zhǔn)備上吊的農(nóng)村姑娘玉香（李秀明飾），玉香無以為報(bào)，愿以身相許，并訴說自已無家可歸的苦難遭遇。戰(zhàn)土們非常同情這個(gè)孤苦伶仃的姑娘，便把她留在炊事班幫忙。戰(zhàn)斗中，玉香不顧個(gè)人安危，冒著敵人的炮火往前沿陣地為戰(zhàn)士們送水送飯。通信員小郭（劉繼忠飾）在戰(zhàn)斗中犧牲，小于前赴后繼沖上前去，用身體接通電話線，保障了我軍首長對敵師指揮所強(qiáng)大的政治攻勢，最后與敵人同歸于盡。小于的犧牲另玉香悲痛萬分，而戰(zhàn)爭的殘酷也使她變的更加堅(jiān)強(qiáng)，衛(wèi)生員小孫（寶珣飾）犧牲后，玉香勇敢地接過醫(yī)藥箱，奔向滾滾戰(zhàn)爭洪流......

VN.012 楊曉青兒

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