解放前夕的一個(gè)黑夜，素有'冒險(xiǎn)家樂園'之稱的華北東某大城市的著名民族資本家馮秉祥突然遭綁架失蹤。消息一經(jīng)傳出，頓時(shí)震驚全城。警備司令錢宣武同警察局梁局長(zhǎng)親赴馮府，表示一定盡早破案，并斷言此案定系共產(chǎn)黨所為。我地下黨員、馮秉祥保鏢之子李阿強(qiáng)，受命營(yíng)救馮秉祥。次日深夜，馮秉祥家里打來一個(gè)電話，讓馮振泰、馮佩華兄妹到二號(hào)倉庫取信。原來，綁匪已將馮秉祥押到一座水小倉庫，并脅迫馮秉祥寫了要60萬美金的贖款家信。但當(dāng)馮氏兄妹趕到時(shí)，卻見到一具陌生尸體。為破綁票案，特務(wù)王成被任命為稽查處長(zhǎng)。案情有點(diǎn)眉目，王成躊躇滿志，一天，他被邀到私人別墅，明白自己在充當(dāng)悲劇角色而又無可奈何。李阿強(qiáng)想方設(shè)法掌握了一些線索，卻有人暗中作梗。他幾次接觸馮佩華，取得馮氏兄妹的信任，商定由他以馮府家人身份攜款前往匪窟。正當(dāng)綁匪收下贖款，打算放出馮秉祥時(shí)，綁匪突然接到通知，這批美金全是假的，結(jié)果，馮秉祥沒救出，李阿強(qiáng)也陷入絕境。李阿強(qiáng)利用綁匪急于要美金的心理，巧妙周旋，再度險(xiǎn)關(guān)。李阿強(qiáng)脫險(xiǎn)后，查明情況，識(shí)破了買辦巨頭金昌成想置馮秉祥于死地的陰謀，挖出了綁匪的內(nèi)線。當(dāng)晚，李阿強(qiáng)攜帶從馮家兄妹手里接過的現(xiàn)款與綁匪再次接頭。他趁機(jī)干掉了提款的綁匪，放出了聯(lián)絡(luò)的信鴿，并和同伴們一起從綁匪手中奪下馮秉祥。這時(shí)，王成帶著警察包圍了他們。一場(chǎng)血戰(zhàn)在蘆葦蕩里展開，最后，李阿強(qiáng)九死一生，背著馮秉祥走出了彌漫的晨霧的蘆葦蕩。

殺的就是你

莎姬·貝茲,湯姆·費(fèi)爾頓,帕特麗夏·阿奎特,海瑟·格拉漢姆,米哈拉·赫羅德,佩特遜·約瑟夫,阿曼多·里維拉,達(dá)倫-邁耶,克里斯·范·倫斯堡,蓋布·加布里埃爾,梅根·亞歷山大

一個(gè)從事打掃工作的女子為紐約一座摩天大樓中的富人家工作，卻被告知這里有一個(gè)供奉撒旦的邪教，每個(gè)月要?dú)⒁粋€(gè)人作為祭品，“今晚，選中了你……”

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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