鴨之一族

　　導演：Seua Pichaya Jarasboonpracha　　編劇：Seua Pichaya Jarasboonpracha　　演員：辰塔維塔納西維Chantavit Dhanasevi (騙騙愛上你、鬼片、嗨!陌生人)　　甘雅薇誦恩Kanyawee Songmuang (愛的警報器、荷爾蒙)　　皮塔亞薩丘安Pittaya Saechua (戀戀不懂、世紀之愛)　　帕薇努特龐納康 Paweenut Pangnakorn (天生一對2大電影:再續前緣、13駭人遊戲)　　★ 飯店有鬼，笑到併軌！2024年度壓軸恐怖喜劇，歡笑登場！　　★ 歡迎入住404號房，只能check in  不能check out　　★ 泰國時尚女神 甘雅薇誦恩，大銀幕首次挑戰最美女鬼　　房地產騙子那羅(辰塔維塔納西維 飾)在山坡上發現一間廢棄酒店，眼看商機無限，便計劃將它改造成豪華酒店來騙一筆。然而，這酒店早已被前任屋主拉莉妲(甘雅薇誦恩 飾)的鬼魂佔據，任何人想拿走，就會遭到她怨氣滿滿的恐怖反擊。　　不甘心的那羅只好找來各路薩滿和巫師，準備驅除這個「千年房東」；沒想到卻惹怒了女鬼，她決定要把所有闖入者都嚇得魂飛魄散。究竟是詭計多端的那羅會得逞，還是怨氣沖天的女鬼能奪回？這場搞笑又驚悚的搶奪戰，連鬼都會害怕…

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

　　The persona of a celebrated author is threatened when her best friend and muse reveals the dark secret behind her first novel's provenance, igniting an incendiary tale of sex, lies and betrayal.

　　講述四位女性殺害她們丈夫并集體分尸的故事。影片的四位女主人公同是便當工廠的女工，性格各異卻代表著現代的日本女性：曾在銀行工作的雅子擅長持家理財，然而隱隱當上一家之主的她卻無法得到長期失業的丈夫與叛逆兒子的溝通，長期都生活在壓抑和孤獨里；守寡的吾妻長期任勞任怨的服侍著癱瘓的婆婆；懷孕的彌生得到的不是關懷，而是嗜賭如命丈夫的虐打；貪慕虛榮的邦子負債累累，只為了換取物質上的享受。前三位女性都有著日本女性傳統的美德，善良、堅強、甚至有些逆來順受；邦子則是傳統與現代文明沖突下的產物，她即無法擺脫日本女性社會地位低下的困境，又不能獨立在社會上立足，只可惜無論傳統美德還是蛻變的新生代，都無法得到男性和社會的尊重，桐野夏生細膩的筆觸在平山秀幸的鏡頭前得到了最大的發揮，如果說彌生殺夫是為了頑強生存的掙扎，那么后來的集體分尸事件則是一種無聲的抗爭，“就像在工廠里做便當一樣”，四位女主人公遭受的壓抑得到了宣泄，更重要的是她們尋回了自信，開始思索在人生中的定位，開始嘗試追求。然而這一切只能在秘密的情況下進行，這種掙扎與控訴是無法得到社會認可與寬容的，當她們殺人分尸的罪行即將敗露時，她們被迫選擇了逃亡，自衛殺死酒太保的吾妻燒掉了自己的房子和婆婆的尸體，在對寂寞人生的一聲嘆息后默默等待法律的制裁，彌生在半途分娩，毫無主見的邦子跟隨雅子搭上了去北邊的長途貨柜車，為的是完成雅子去看極晝的夢想，影片在三位女性的笑聲中結束，但對觀眾心靈的觸動絲毫不亞于《末路狂花》結尾沖下懸崖的震撼，只是要喚起內心一個簡單夢想的追求，卻要付出如此大的代價，平山秀幸折射出的不只只社會現狀的冷漠疏離，還有對傳統意義上的女權主義的顛覆