在線(xiàn)播放
劇情簡(jiǎn)介
海外福利影院
人氣佳作
異塵余生：尸鬼圣誕節(jié)
可憐的東西
艾瑪·斯通,馬克·魯法洛,威廉·達(dá)福,拉米·尤素夫,克里斯托弗·阿波特,蘇西·本巴,杰洛德·卡爾邁克,凱瑟琳·亨特,薇琪·佩珀代因,瑪格麗特·庫(kù)里,漢娜·許古拉,杰克·巴頓,查理·希斯科克,阿提拉·多拜,艾瑪·欣德?tīng)?安德斯·奧洛夫·格倫德伯格,艾提拉·凱科斯克麥西,朱西馬爾·巴爾博薩,卡米尼奧,安杰拉·保拉·史丹德?tīng)?古斯塔沃·戈麥斯,凱特·漢福德,歐文·古德,茲恩·約書(shū)亞·泊松,薇薇安·索恩,杰爾斯金·芬德里克斯互幫互助
黑木華,中村蒼,藤間爽子,安藤玉惠,近藤華,白鳥(niǎo)玉季,吉岡睦雄,松本利夫,升毅,西田尚美,田口智朗,風(fēng)吹淳,草笛光子超級(jí)黑暗時(shí)代
歐文·坎貝爾,查理·塔漢,伊麗莎白·卡布奇諾,馬克斯·塔利斯曼,索耶·巴斯,艾米·哈格里夫斯,安德亞·雷諾克斯,Ethan Botwick,Philip H. Ashley,Justin Rose,Kortnee Rumph,Samantha Jones,Anni Krueger,Jeffrey Alan Solomon,Carl Arcilesi導(dǎo)演精選
沖破鐵幕
邁克爾（保羅·紐曼 Paul Newman 飾）是一位非常優(yōu)秀的火箭科學(xué)家，同時(shí)也是國(guó)家重點(diǎn)保護(hù)的珍貴人才。莎拉（朱麗·安德魯斯 Julie Andrews 飾）是邁克爾的助手，同時(shí)也是他的未婚妻，某日，兩人共同前往哥本哈根，去參加在那里舉辦的研討會(huì)。 在哥本哈根的日子里，邁克爾的行為舉止表現(xiàn)的非常的怪異，就連向來(lái)能夠理解他的莎拉都感到百思不得其解，他的所有詭異行為只有一個(gè)解釋?zhuān)蔷褪撬撑炎约旱膰?guó)家，逃往東德。為了弄清楚事情的真相，莎拉開(kāi)始了對(duì)于邁克爾的調(diào)查，哪知道最終，莎拉選擇了和邁克爾一起叛逃。這對(duì)夫妻的行為背后，有著不為人知的目的。
北國(guó)江南
1950年代，北方某農(nóng)村。黃土屯土地貧瘠十年九旱，農(nóng)業(yè)社成立后，吳大成（王琪 飾）任社主任兼支書(shū)，他決心帶領(lǐng)鄉(xiāng)親們打井抗旱，改變家鄉(xiāng)面貌。村里壞人錢(qián)三泰（李保羅 飾）趁機(jī)搞破壞，使大成的努力前功盡棄，加之養(yǎng)子小旺（孫水平 飾）的突然出走，使本來(lái)眼睛不好的妻子銀花（秦怡 飾）雙目失明。深明大義的銀花為了不拖累大成的工作，強(qiáng)忍失明痛苦，不斷為丈夫出主意想辦法。大成深感自己在工作中的急躁情緒影響了大伙，他努力克服著缺點(diǎn)，并及時(shí)向上級(jí)組織匯報(bào)情況以討得解決問(wèn)題的方法。通過(guò)發(fā)動(dòng)群眾，他們終于揪出了暗藏的階級(jí)敵人，受蒙蔽出走的小旺也回到了黃土屯......
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster