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真正的痛苦
杰西·艾森伯格,基南·卡爾金,福田知盛,詹妮弗·格雷,庫(kù)爾特·埃賈萬(wàn),麗莎·薩多威,丹尼爾·奧雷斯克斯,埃洛拉·托爾基亞,班納·艾森伯格,彼得·查赫尼埃基,雅各布·貢索夫斯基,奧爾哈·博索瓦,克日什托夫·雅什查克,馬雷克·卡斯普日克,雅各布·普魯斯基為紀(jì)念逝世的奶奶，許久未見(jiàn)的堂兄弟大衛(wèi)與班吉相約前往波蘭參加導(dǎo)覽團(tuán)，也順道探訪奶奶的老家。一路上，班吉有話直說(shuō)、率性風(fēng)趣的性格迅速與同團(tuán)人士拉近距離，令木訥拘謹(jǐn)?shù)拇笮l(wèi)既焦慮又羨慕，壓抑已久的情緒日益沸騰。然而，隨著旅途種種安排不斷挑動(dòng)班吉的敏感神經(jīng)，他的狂放不羈似乎逐漸走向失序，大衛(wèi)試圖息事寧人，但內(nèi)心的不安卻席卷而來(lái)。這趟尋根之旅，能否解決彼此心底難以言說(shuō)的痛楚？
河流如血
泰雅·迪格斯,約翰·庫(kù)薩克,喬治·洛佩茲,盧克·海姆斯沃斯,Gianni Capaldi,布萊恩娜·伊維根,RJ·米特,Steven Berrebi,賈克琳·弗萊明,陶竤,伊薇特·帕里什The son of an African-American Judge is killed by police officers on the day he was set to begin law enforcement academy. When the courts clear the officers of wrongdoing, the Judge must decide whether the courts are the only arbitrators of justice.
劫車王
佐伊·馬奇爾,弗蘭克·蓋思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·貝茨,米蘭妮·讓帕諾米,Zoé Diowo-Ceccaldi,Florence Fauquet,喬納森·德繆杰,阿利克斯·貝納澤什,帕斯卡爾·艾爾索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes白天，他們是隱形的——豪華酒店的服務(wù)員、女招待和調(diào)酒師。到了晚上，他們就是劫車者，一群熟練的司機(jī)，在路上追蹤和搶劫富有的客戶。當(dāng)他們計(jì)劃最終的搶劫時(shí)，酒店經(jīng)理雇傭了一名無(wú)情的殺手，不惜一切代價(jià)阻止他們。隨著危險(xiǎn)的臨近，諾拉、佐伊、史蒂夫和普雷斯頓能取得迄今為止最大的成績(jī)嗎？
寒·露
顧婷萱,李君峰,文雅懿,何旭健一連串匿名勒索電話，寄到家里的裸照讓強(qiáng)勢(shì)的醫(yī)生趙寒雪飽受丈夫的暴力摧殘。女兒離家出走，下落不明。趙寒雪能否解決勒索，逃離暴力？又該如何尋回女兒？
花魁～SAGA
沖田杏梨,佐山愛(ài),鹽谷瞬現(xiàn)代東京，三位女性——愛(ài)、瑪麗、杏珠——在繁忙與孤獨(dú)的?活中尋找愛(ài)與?我。某?，她們?同前往溫泉旅?，在閃爍的燈光與笑聲之間，?道神秘的閃光將她們帶入時(shí)空裂縫。當(dāng)她們?cè)俅伪犙郏矍耙殉蔀?個(gè)充滿異?與絢爛的幻夢(mèng)世界——「仮想?吉原」。在這座融合江?、?正與現(xiàn)代意象的花街中，她們分別化身為花魁「三浦太夫」、「薄桜」、「富?太夫」，成為欲望、權(quán)?與愛(ài)情交錯(cuò)的舞臺(tái)中?。
19 十九
錦織一清,東山紀(jì)之,植草克秀,小澤夏木,坂井徹,山本哲平
那個(gè)人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.