香港奇案5：奸魔

　　本作由井上剛擔(dān)任導(dǎo)演，與NHK四月播出的劇集《地震之后》共享故事框架，同時(shí)新增場(chǎng)景重新剪輯而成。該片基于村上春樹(shù)短篇小說(shuō)集《神的孩子全跳舞》中四則短篇，講述關(guān)于喪失與重生的故事。描繪1995年阪神淡路大地震后，四個(gè)在不同時(shí)代與地域背負(fù)孤獨(dú)生存之人的命運(yùn)交織，最終與當(dāng)下產(chǎn)生聯(lián)結(jié)的歷程。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　富豪洪飛虎（古天樂(lè) 飾）因怪病找到峨嵋派掌門(mén)王鳳（鄭秀文 飾），她對(duì)飛虎的生性傲慢毫無(wú)好感，于是用盡各種奇怪的方法治療飛虎。王鳳的師姐李莫愁（李冰冰 飾）突然出現(xiàn)，并揚(yáng)言要鏟除峨嵋派。未免傷及無(wú)辜，王鳳盡快醫(yī)好了飛虎。知道了王鳳的惡作劇之后，飛虎憤然離開(kāi)了。　　為了與師姐決戰(zhàn)，王鳳急需練好“傷心斷腸劍”，但從未經(jīng)歷傷心之苦的她 無(wú)法領(lǐng)悟“百年好合”這一招式的要領(lǐng)，王鳳在眾人的勸說(shuō)下決定求助與飛虎。飛虎不計(jì)前嫌，用盡辦法讓王鳳傷心，練好招式。王鳳又能否成功？

明朝中葉，西北邊城，青樓女子接連被殘殺，隱匿線索直指邊關(guān)軍營(yíng)，神捕白展飛奉命調(diào)查，卻屢屢受阻，無(wú)奈下只得暗中探查。然而當(dāng)他撥開(kāi)層層迷霧，竟發(fā)現(xiàn)此案潛藏著一場(chǎng)不可告人的驚天陰謀。喋血孤城，命懸一線。（影劇備字〔2023〕第1669號(hào)）