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一千靈異夜之孽緣十日
潘志文 吳浣儀
8的故事
安娜·魯哈斯,哈維爾·雷伊,塔馬·諾瓦斯,洛雷托·莫利昂,卡拉·迪亞茨,瑪麗亞·伊薩西,馬特奧·梅迪納,Oriol Riera,Asier Burguete,阿爾瓦羅·莫特,Irene Aragón,Jordi Català,Patxi Barko,坎迪多·烏蘭加,Jacobo Girón,哈維爾·莫爾格德,Asier Hernández,Gabriel álvarez,Eduardo Arregui,安東尼·阿格里戈梅茲科塔它告訴了奧克塔維奧和阿德拉是如何在同一天出生的：1931年4月14日，但出生在對立的家庭。在接下來的90年里，他們的生活將通過激烈的遭遇和誤解交織在一起，分為八集。
捍衛機密
基努·里維斯,迪娜·邁耶,北野武公元2021年，資料除了透過電腦輸送外，還可利用人腦運輸。專業運輸員尊尼為了運送更多資料，不惜洗去自己的記憶。一次任務中，尊尼被客戶輸入過量資料，若他不在二十小時內找到輸出密碼，他便會倒斃。另一方面，日本集團為了奪取他腦內的資料，也對他展開一場大追殺。
音癡診所
尹相鉉,樸河宣,崔振赫年糕餅店店主的女兒東珠（樸河宣 Ha-seon Park 飾）天生五音不全，唱歌跑調，28歲的年紀待字閨中讓她老媽十分擔憂。原來東珠從高中時代就一直暗戀班上叫做民秀（崔振赫 Kim Thae-Ho 飾）的男生，還為了他參加了自己最不擅長的合唱隊。后來民秀出國去了日本，東珠從此斷了關于民秀的消息，但心里還是念念不忘這份舊情。幾年過去了，聽聞年少時暗戀的對象回國，剛丟了工作的東珠決定扮成高中生報名給學生打半價優惠的音癡治療診所學習唱歌來吸引民秀的關注。申洪（尹尚賢 Sang-hyun Yun 飾）是恩珠音樂課上的老師，認定了東珠是個十足沒救的音癡，二人火花不斷。然而在日漸的接觸中，申洪了解到了東珠學習唱歌的目的，開始全心的投入到對她的特訓中。就在東珠在申洪的鼓勵下去向民秀表白時，卻得知了民秀和自己閨蜜已經相戀的消息…
牙醫的奇遇
安德烈·米亞赫科夫,Vera Vasilyeva,Alisa Frejndlikh,阿麗薩·弗雷因德利赫This is story about a dentist with the talent of painlessly extracting teeth, and what happens to him as a result of being naturally good at his job. It is told with humour (much of it quite subtle, almost surreal, and in the background - imagine a street scene where everyone on the sidewalk on one side of the road walks in just one direction, and on the other side in the other), poignancy, and a frequent breaking of the 4th wall between the movie and the audience (think of what happens in Shakespeare's plays, and you'll be close). It also features some songs by Novella Matveyeva, a famous Russian singer-songwriter (her songs are sung by the leading actress).
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.