同意的繼母：我會做我和我爸爸一起做的事

 偽滿統治下的哈爾濱郊外刑場，響起了一陣槍聲，愛國志士一個個倒下，其中有位容貌俊美的姑娘，她是偽江防艦隊殷祚堃少將的女兒殷紅。她的罪名是共產黨幫兇，被拉來陪綁。原來，殷紅在面臨流氓侮辱之際，被地下黨員石勇救下。殷紅后被白俄匪徒綁架作人質，威逼交出20萬元贖身費，又是石勇深 入虎穴救出了殷紅。為避免白俄繼續糾纏，石勇將殷紅領進深山游擊區暫避。途中，村姑白月娥為了掩護殷紅與敵特英勇搏斗，獻出了年輕的生命。這些親身感受，使殷紅的思想發生了急劇的變化，她開始懂得了人生的真正意義。回到哈爾濱之后，殷紅為了報答石勇兩次救命之恩，請求父親讓石勇去艦隊當武術教官。殷祚堃策劃比武競技會，選拔教官，石勇武功過人，戰勝了日本武士道名手崗野。殷紅欽佩石勇為中國人出了氣，深深地愛上了他。偽滿艦隊上的中國水兵慘遭日軍迫害，石勇喚起了水兵們的愛國熱情，利用殷紅提供的情報殺了日本軍佐，率領《東亞》、《大同》兩艦起義。此事觸怒了日寇海軍部，派要員前來查辦。殷祚堃為了保全烏紗帽，竟不惜以女兒去和肇玉璽中校"聯絡感情"。殷紅打死了企圖侮辱她的肇玉璽而被捕，并被扣上受中共指使"謀殺宮廷海軍武官"的罪名投入監獄。殷紅被捕前后，陸煜良的胞兄被日本侵略軍殺害。陸煜良參加調查此案，他從殷紅的日記中得到啟發，也從事實真相中良心受到譴責，開始醒悟。兇狠的敵人最后想拿殷紅作細菌試驗。在押送殷紅去731部隊的途中，陸煜良以提前執行槍決為由，命令憲兵將殷紅的鐐銬打開，將殷紅推下囚車，并毅然拉響了手雷與敵人同歸于盡。

 都市“躺平青年”但爽，帶領“突如其來”電視欄目組，突襲暗訪專業從事借錢為生的老鄉“滾刀肉”吳德，在吳德的引領下，但爽有緣結識了有財、有貌的“超級卷王”是蒂，未曾想這對歡喜冤家的愛情之路總是遇見不同的遇見，在經歷了英雄救美、海景房騙局、P2P理財“深坑”的一系列驚心動魄的故事下，最終花好月圓走在了一起。

 一個搖滾樂隊的鼓手（里茲·阿邁德）突然發現自己失聰，他的樂隊搭檔露（奧利維亞·庫克）和他都很懊惱，但又不得不面對這殘酷的現實。影片去年在多倫多電影節首映，作為導演處女作獲得媒體好評。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.