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不死之人
安東·迪夫倫,哈澤爾·考特,克里斯托弗·李邦納博士計劃通過更年輕、更健康的人類受害者周期性的腺移植來永生。邦納看起來大約40歲，他真的104歲了。但是人們開始懷疑了，他可能不會到200歲。
爆水管
彭于晏,艾倫,周游,閆佩倫,楊皓宇,蔣雪鳴,付航,潘斌龍,卜鈺,張琪,黃炎,徐東,楊朕,楊晨汐,周彥辰,劉亦淳,普雷姆·亞達夫,景瓷,艾然一個東南亞小鎮中，卷王警察于大海（彭于晏 飾）起早貪黑，努力工作，讓小鎮連續7年維持0犯罪率。結果因為沒有案子，警察將被全員辭退，“鐵飯碗”成了“塑料碗”，為保住工作，于大海決定和隊友們一起造個大案。與此同時，真正的大案正在發生，前來投奔羅四季（艾倫 飾）的盜墓賊羅浩（周游 飾）、牛大輪（閆佩倫 飾）一家人，盯上了傳說中藏有寶藏的古墓，而這個古墓就在警局之下......
逃出食人農場
Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack MillerIn the British countryside, the Harver family head out on an idyllic summer camping trip where they can bury past tensions and enjoy some family bonding. But when their camp is sabotaged by an unseen intruder in the night, they head to the nearby creepy old farm desperate for help, where vengeful farmer Hunt Hansen and his hideously deformed son aren't farming animals... Caged and waiting for their limbs to be severed, cooked and eaten one at a time, the Harver family must overcome their differences and unite in order to escape alive!
迷失太空
海瑟·格拉漢姆,威廉·赫特,米密·羅杰斯,杰克·約翰遜,萊西·沙伯特,加里·奧德曼,馬特·勒布朗公元22世紀，因為人口過度膨脹、過度開發、環境極度惡化、食物也消耗殆盡。人類想要存活下去，就必須要到宇宙中去尋找新的可以棲身的星球。因此制造了一艘當時最先進的太空飛船，去考察發現的一顆可能適宜人類生存的星球。羅伯遜（威廉·赫特 William Hurt 飾）一家被選中擔負起了這次探索使命，他們將用10年的時間前往阿爾法星球。可是，這次擔負起全人類命運的任務卻有反對的聲音，部分邪惡勢力妄圖阻止這次任務。所以，當羅伯遜一家駕駛太空船剛進入太空的預定軌道時，反對派史密斯博士暗中進行破壞，導致飛船脫離的正常的軌道迫降到了一顆不知名的星球上。飛船上邪惡勢力的阻撓，不知名星球上的種種危機，如何才能重新設定新的航線……各種問題困惑著羅伯遜一家，他們真的就此迷失太空，無法到達目的地了嗎？人類的命運將何去何從？
步履不停
阿部寬,夏川結衣,江原由希子,高橋和也,田中祥平,野本螢,林凌雅,寺島進,加藤治子,樹木希林,原田芳雄“人生路上步履不停，為何總是慢一拍”。位于偏遠小鎮的橫山一家，生活平靜祥和。父親恭平（原田芳雄 飾）是業已退休的醫生，卻時時牽掛小鎮診所內的事務。長子純平繼承了父親的事業，卻在15年前為救落水兒童而溺水身亡。次子良多（阿部寬 飾）與父親意見相左，執意前往異地當起了繪畫修復師。多年的打拼換來的卻是失業，困頓的良多與帶著孩子的由香里（夏川結衣 飾）結婚，相互扶持，繼續生活。又逢純平的忌日，良多和姐姐千奈美（YOU 飾）帶著家人分別趕回家中。平靜的橫山家再次熱鬧起來……本片榮獲2009年藍絲帶最佳導演獎和最佳女配角獎（樹木希林）、2008年報知電影和2009年電影旬報最佳女配角（樹木希林）、2009年每日電影獎最佳男主角（阿部寬）、2008年馬塔布拉塔國際電影節評審團大獎和最佳影片。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster