影片推薦
15點17分,啟程巴黎
斯賓塞·斯通,安東尼·薩德勒,亞歷克·斯卡拉托斯,朱迪·格雷爾,珍娜·費舍,賈里爾·懷特,托馬斯·列農,托尼·海爾,P·J·伯恩,布萊斯·吉扎爾,斯蒂芬·考特爾,羅伯特·普拉爾戈,加里·維克斯雌雄雙諜
多麗絲·黛,理查德·哈里斯,雷·沃爾斯頓,諸慧荷騙徒與致命婚宴
巴斯蒂安·帕斯特科瓦 ,Tamara Romera Ginés,Anton Dreger,芭芭拉·菲利普,埃爾詹·杜馬斯,米拉·帕爾泰克,伯恩哈德·舒茨,妮可爾博伊特勒,Taneshia Abt,利娜多瑞,Knud Riepen,Marta Kizyma,Daniel Rodic,Till Raskopf,Rabea Lüthi,Georg Paluza,Sara Bartknecht,Maxim Bartknecht,馬格努斯·克雷佩藍箭的使命
郝一平,羅玉甫,葉蓁南,戴曉旭,張玉紅,韓廣萍,張榮芝,張筱玲,馬春光,馬允浩,王端云,盧德福,李榮先,高東升,何龍,冀秀萍,龐萬靈,趙明,姚慶平野獸2019
李星民,劉宰明,全慧珍,崔丹尼爾,金浩貞,金炳春,金恩惠,李書煥,玉子妍,李尚熙,韓圭源魚的故事
伊藤淳史,高良健吾,多部未華子,濱田岳,森山未來,大森南朋,石丸謙二郎同類精選
少女日記
蓓爾·波利,克里斯汀·韋格,亞歷山大·斯卡斯加德,克里斯托弗·米洛尼,奧斯汀·利昂,瑪德琳·沃特斯,瑪格麗塔·列維耶娃,奎因·納格,艾比·韋特,約翰·帕森斯,米蘭達·貝利,戴維·克萊門茨,大衛·芬恩支持女孩們
雷吉娜·赫爾,海莉·露·理查森,迪蘭·格魯拉,阿曼達·米夏卡,Shayna McHayle,麗亞·德拉利亞,詹姆斯·勒格羅,珍娜·克拉默,布魯克琳·黛克,勞倫斯·瓦爾納多,Brian Bogart,Sean H.A. Gallagher,佐伊·格瑞艾姆,克雷·里福特,喬尼·馬爾斯,比爾·懷斯黃沙漫天
小沈陽,周大勇,林樂炫,劉樺,曹瑞,蘇勁源,張金條,馬金龍,張大磊人妖打排球2
杰西達邦·福爾迪,Sujira Arunpipat,Kokkorn Benjathikoon致所有我曾愛過的男孩2
諾亞·琴蒂內奧,拉娜·康多,喬丹·費舍,賈娜爾·帕里希,羅斯·巴特勒,約翰·考伯特,埃米利婭·巴拉納茨,安娜·卡思卡特,特雷佐·馬霍洛,吉爾·莫里森,霍蘭德·泰勒,莎拉尤·拉奧我真的愛死你
凱文·克萊恩,崔茜·尤瑪,瑞凡·菲尼克斯,瓊·普萊懷特,威廉·赫特,基努·里維斯,詹姆斯·蓋蒙,杰克·科勒爾,維多利亞·杰克遜,米瑞安·瑪格萊斯,亞麗珊·波特,喬恩·卡斯丹,海瑟·格拉漢姆,Michelle Joyner,John Kostmayer,凱瑟琳·約克,約翰·比靈斯列,Robert Radonich,施瑞·阿普萊碧,亨利·貝克曼,喬·蘭多,菲比·凱茨,勞倫斯·卡斯丹,Douglas Moening,John Nelson影視排行
忘我星途
Vino G. Bastian,迪婭·潘德拉,Agus KuncoroA narcissistic performer's world crumbles when he mysteriously loses his talent right before the biggest opportunity of his career.
神鬼任務
韋斯利·斯奈普斯,安妮·阿徹,莫里·柴金中國駐聯合國大使意外死亡,特工肖(韋斯利·斯奈普斯 Wesley Snipes 飾)是對案件進行調查的負責人。在調查的過程中,肖震驚的發現,大使的死是一場精心策劃的謀殺,而在這場謀殺的背后,隱藏著的是一個恐怖組織以及他們試圖攻擊聯合國的邪惡計劃。 正當肖決定根據找到的線索摸清事件真相之時,卻震驚的發現自己成為了警方通緝的目標,而他莫名背負上的罪名,竟然正是謀殺聯合國大使。不愿意向惡勢力屈服的肖決定依靠自己的力量抓住栽贓陷害他的罪魁禍首,親手幫自己洗清冤屈,在此過程中,一個名叫茱莉亞(Marie Matiko 飾)的女翻譯浮出了水面,她手上掌握著破案的關鍵證據。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
小鬼當家4
弗倫奇·斯圖爾特,艾瑞克·阿瓦利,芭芭拉·巴布科克,杰森·貝蓋,克拉兒·凱瑞,喬安娜·高茵,米西·派勒,Gideon Jacobs,切爾茜·拉索,邁克·溫伯格,肖恩·卡梅倫·邁克爾,多尼·沃特羅斯《小鬼當家》是約翰.休斯1990年推出的假日強檔節目。它不僅為廣大電影愛好者帶來了無限快樂,也使此片成了美國電影史上總票房排名第九的影片。這是美國有史以來拍得最好的喜劇片。兩年之后,休斯編寫導演的《小鬼當家》的續集《小鬼當街》,同樣成為熱賣的喜劇片。 在這一集里,小鬼凱文的爸爸和媽媽離了婚,爸爸和一位新的女友搬到了新家。在他倆一起出去慶祝圣誕節的時候,那些可愛的匪徒又要來搶奪小朋友滿懷希望的神秘裝置,小鬼凱文再次抵擋這兩個匪徒,不惜天翻地覆,引發連場刺激爆笑的場面。