劇情簡介
為了探尋生命的奧秘，學者安東尼招募了十二位「門徒」到避世莊園一起進行實驗討倫哲學、和操演，然而過程愈發離奇及不可收拾，終極解答是否存艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan？而迎接他們的是否真為來生？抑或是地獄走一遭？
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守株人
楊紫,駱達華,杜奕衡,劉筱筱,林雪,林妙可該片是心理懸疑風格的影片。八年前，一場古董事件導致了相依為命的奶奶死于非命，正值妙齡的佳佳（楊紫 飾）又不得不面對父母離異的現實。家庭的破裂、死去奶奶的噩夢纏繞，好友的突然癱瘓，而此刻令人毛骨悚然的文物販子伺機出動，各種不解之物正等待時機向她發起進攻，直到她變成了守株人……
團結起來到明天
白楊,張雁,孫錚,鐵牛,齊衡,史原,董霖,范萊,周曼瑋,葉高,李明,周偉,劉恩玉,李凌云,陽華,程述堯,趙元,劉鳳歌1949年初，上海。某紗廠工人在地下黨支部書記張世芳（孫錚 飾）領導下，因不滿反動資本家剝削壓榨，組織起了全廠大罷工。由于對資本家陰險狡詐的本性認識不足，加之工廠內部工賊的破壞，罷工活動一度受阻，工人們的情緒也受到不良干憂。張世芳召集骨干商量對策，她一方面繼續發動基層群眾，一方面打入黃色工會內部，以便隨時了解資本家策略，及時調整斗爭方向。再次罷工后，資本家仰仗手拿武器的敵人，對罷工群眾進行瘋狂鎮壓。全市工人學生通電聲援，最終罷工取得了勝利。解放軍的炮聲傳進了上海，敵人惶惶不可終日，為防止敵人搞破壞，張世芳組織起工人護廠......
我們很危險
埃拉娜·詹姆斯,瑞瑪·特·維塔,Nathalie Morris西南偏南電影節劇情片競賽。 Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.
紅房間白房間黑房間
倪萍,劉威,王之夏,韋國春,吳爾揚,張敬,楊曉丹,白云,于凌達,孫曉雯,顧謙,任偉民,尉騫,高明智,張大年,陶田鳳,田佳,慕慕大城市上海的一隅坐落著一個幽靜的小洋樓，這里住著艾老頭和他的女兒寧恒和寧娜。艾老頭樓下車庫經過整修，租借給了以賀水夫為首的一群30歲左右、沒有愛情光顧、生活懶散、玩世不恭的人。一天，一個叫葛藤子的農村婦女抱著孩子來到這里，說是要找曾在這里住過的未婚夫李紅星。本來對此沒有興趣的賀水夫，只想拿她開心，便謊稱自己是李的大學同學，并說李出差去了，回來后要與她結婚。葛藤子非常感動，決定留下來等候李紅星。葛藤子對愛情的執著和真摯的情感，使賀水夫他們深受感動。他們為她準備了豐盛的晚宴，還都鄭重其事地編造了一個個初戀的故事。唯有葛藤子實實在在地講述了與李紅星的相愛經過。這時，從外面沖進來的江富貴不滿賀水夫支走自己的女朋友，更不滿賀對葛的戲弄，道出真相。受了騙的葛藤子抱著孩子不顧夜黑離開了。賀從葛的敘述中知道她受騙了，決定幫助她，他托朋友給葛拍電報，謊稱后天李紅星就回來。葛完全相信了。賀水夫開始到化工局查找李紅星的下落，為葛準備婚禮。寧恒對生活和愛情有自己的見解，在心底里深深地愛著賀水夫，可賀對她并沒有真正的感情。當清潔工的寧娜本身不喜歡自己的工作，恰好碰上一個業余青年畫家葉芒。葉芒決定用自己化工研究所的好職業做交換條件，換掉以前沒有窗戶的黑房間。寧娜對葉芒產生了興趣，他們逐漸相愛了。婚禮籌備就緒，寧恒告訴賀水夫，李紅星馬上就要與別人結婚，很快就去度蜜月。賀水夫特別氣憤。寧恒也告訴了葛藤子，藤子徹底失望了，但在聽了寧恒的勸說后，強作笑臉，迎接婚禮的到來。婚禮開始前，賀再一次騙葛藤子說因發大水，李紅星到不了，決定婚禮照常進行，由儐相代替新郎，葛點頭允諾了。婚禮結束后，葛藤子安然地睡在刷了紅顏色的馬路工們的房間里，紅房間外面的馬路工們唱著小夜曲，歌聲在夜空中飄蕩。
無瑕修女
西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利塞西莉亞（西德妮·斯威尼 飾）是一個非常虔誠的修女，她來到意大利鄉間修道院開始新生活，卻在這個幾乎全是女人的地方意外懷孕，原來這里隱藏著黑暗和可怕的秘密。
忍者刺客49
小杉健,三浦誠己,菜葉菜Kyohei Aizawa, an assassin for a covert non-governmental espionage group in Japan called "SEEK", is grieving over the loss of his girlfriend from a tragic plane accident. The leader of "SEEK",Ryo Mikumo, contacts him for an emergency mission; save a fellow agent, recover a new highly explosive liquid called "RDX@", stop a ruthless Yakuza leader, Sojiro Kotsuki, and his gang before they take over Japan. Although the Ninjas were thought to have disappeared... the new breed of assassins live on helping to protect Japan and all that is right; the Ninjas are coming soon.
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.