小湊よつ葉 Yotsuha Promised clover

鳳凰劫

　　機(jī)長(zhǎng)弗蘭克（丹尼斯·奎德 Dennis Quaid 飾）與飛機(jī)打交道多年，這次他將負(fù)責(zé)一架“鳳凰號(hào)”貨機(jī)，運(yùn)送一批石油工人和物資到北京去。然而令他意想不到的是，飛機(jī)在途中遇到了風(fēng)暴，弗蘭克不得不迫降在荒無人煙的內(nèi)蒙古戈壁灘上。幸好死傷人員并不多，然而他們的儲(chǔ)備水卻只夠維持一個(gè)月的使用，但在一個(gè)月內(nèi)能等到救援的可能性有如買彩票。饑餓和慌張中，幸存者間開始了各種意見分歧與爭(zhēng)吵。最后一名自稱是飛機(jī)設(shè)計(jì)師的乘客提議，用飛機(jī)殘骸再造一架飛機(jī)自救。然而造飛機(jī)并非想象中那么簡(jiǎn)單，人心在不斷嘗試中漸漸消耗，僅存的生命之水也越來越少，重傷的“鳳凰”還能否在廣漠戈壁中涅槃重生？　　本片翻拍自1965年同名電影，兩者皆改編自英國小說家Elleston Trevor的同名小說。

關(guān)于他們

　　夏洛特瞞著米卡，和梅洛迪有了外遇。而諷刺的是，米卡也有外遇，而那個(gè)人正是梅洛迪。對(duì)于，梅洛迪來說，這樣的情形有些讓她頭暈。她同時(shí)欺騙了一對(duì)情侶！這對(duì)情侶又恰如其分地互相在演戲。這三人兩兩的愛情故事會(huì)兜兜轉(zhuǎn)轉(zhuǎn)成如何呢？

降靈：鬼神游戲

　　Ja-young and her friends decide to shoot a video titled “Spirit Summoning That Tells You Everything” for a YouTube contest with a cash prize. Initially planning to stage the whole event as fiction, they begin filming in the water tank of an abandoned building. However, prompted by Ja-young’s suggestion, they attempt a real séance. Ja-young hopes to uncover clues about her older sister, who went missing when they were children — but what begins as a playful ritual soon spirals into a terrifying experience none of them can handle. What starts out as curiosity and fun gradually transforms into a nightmare. The séance, conducted in a confined and claustrophobic space, is rendered with chilling realism, adhering to the conventions of classic horror. The film skillfully builds tension through the occult element of spirit summoning, while also revealing the slow unraveling of friendships and long-buried secrets, maintaining strong dramatic momentum throughout. Standing apart from typical teen horror, the film boasts high genre polish and gripping performances from actors like Kim Yerim and Lee Chanhyeong. With its immersive terror that makes viewers feel as if they're part of the ritual — and a finale that defies all expectations — it leaves a lasting impression.

那個(gè)人在想什么事情

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

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