兒媳啊，這段時(shí)間積累了很多啊

是被過去塑造的囚徒，還是自我命運(yùn)的締造者？故事以搶劫失敗后的悲劇開場(chǎng)。一位瀕臨崩潰的偏執(zhí)女子，帶領(lǐng)兩名同伙搶劫了愛爾蘭農(nóng)村信用社，但計(jì)劃漏洞百出。事態(tài)不斷失控，隨著時(shí)光倒流，那些無法逃離的記憶如同鎖鏈，不僅將她們拖入深淵，更將身邊人卷入致命漩渦。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

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杰弗里（凱爾·麥克拉克倫 Kyle MacLachlan 飾）為了照料父親而回到了久違的家鄉(xiāng)小鎮(zhèn)，哪知道在誤打誤撞之中令一場(chǎng)兇殺案件浮出水面，杰弗里就此結(jié)識(shí)了負(fù)責(zé)調(diào)查此案的警察威廉斯（喬治·迪克森 George Dickerson 飾），以及他的女兒桑迪（勞拉·鄧恩 Laura Dern 飾）。桑迪告訴杰弗里，時(shí)間的真相或許和一個(gè)名叫多蘿西（伊莎貝拉·羅西里尼 Isabella Rossellini 飾）的歌女有關(guān)?！　∶利惿衩氐亩嗵}西很快就令杰弗里失去了理智，他偷偷的潛入了多蘿西家中，恰巧發(fā)現(xiàn)了多蘿西正在被一個(gè)名為弗蘭克（丹尼斯·霍珀 Dennis Hopper 飾）的黑幫大佬虐待的事實(shí)。此時(shí)的杰弗里才開始意識(shí)到，在自己的視線范圍之外，發(fā)生著很多黑暗而又罪惡的可怕之事。