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吉姆·加菲根：深灰
吉姆·加菲根喜劇演員吉姆·加菲根的第十次單口喜劇特別節目。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
50米之戀
謝楠,方力申,仇佩佩,馬昂,舒耀瑄,丁一一自視甚高的記者余美仁（謝楠飾）是電視臺里炙手可熱的晉升人選，為了擊敗對手，她不惜挑戰無人勝任的采訪任務——前往南方的偏僻小城，去揭露一個有機農場的重大秘密。不料，余美仁在那里不僅遇到了“豬隊友”——脫線少年小達（馬昂飾）和中二少女莫莫（丁一一飾），更發現低調隨性的農場主竟是自己的“克星”——小學同學李十全（方力申飾）。小時候只要兩人相距50米以內，她就會出糗倒霉。然而為了事業，余美仁不得不和“克星”擦出亦敵亦友的火花，在保持50米距離的同時，一段陰差陽錯又爆笑感人的愛情正在這個浪漫的小城悄然綻放。
黑蜥蜴1962
京町子,大木實,川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春亂步作品
仙人跳
梅奇費法,約翰邁克格雷,艾茜莉史科特兩名不幸的社會青年卷入一個陰謀,原本可以回歸正道的他們是被一個喜歡夸夸其談的家伙拉入伙的...
愛的證明2025
艾拉·朗夫,莫妮亞·喬柯里,諾埃米·洛夫斯基,埃米·朱爾茲科,朱利安·加斯帕-奧利維里,珍妮·亨利,奧德·佩潘,菲利普·佩特,安娜·勒尼,艾米莉·布里沙文,哈姆·格雷亞,湯姆·哈拉里,伊娃·霍爾特,保利娜·貝爾,費利克斯·基賽勒,哈姆扎·梅茲亞尼,愛德華·蘇皮斯,梅洛迪·波寧,羅安妮·塞古倫,瑪麗安妮·杜布特2014年的法國迎來同性婚姻合法化。當妻子腹中孕育著新生命時，塞琳娜一邊為爭取收養資格收集證明材料，一邊直面內心對母職的認知沖突。