夜晚的罪惡
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan Jack Nietsche is a hardened ex-con who now works for an P.I. firm, run by Ted Quincy. Quincy's ex-lover is Roxie, now wife to godfather Tony Falcone. In a huge mix-up/double-cross, Roxie plots with Jack to get rid of Falcone and Quincy, one an abusive husband, the other a demented role playing ex-lover, and run away with Jack. But the double crossings don't end there.
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伊芳·齊瑪,賈斯汀·布恩寧,托比·海明威,Murielle Zuker,Jim Storm,Shayne Eastin,PeiPei Alena Yuan,Shiori Ideta驚聲尖笑6
馬龍·韋恩斯,肖恩·韋恩斯,安娜·法瑞絲,雷吉娜·赫爾,小達蒙·韋恩斯,格雷格·韋恩斯,金·韋恩斯,本尼·齊爾克,卡梅倫·斯科特·羅伯茨,切里·奧特萊,克里斯·艾略特,戴夫·謝里登,海蒂·加德納,洛奇林·莫羅,奧利維亞·羅斯·基根,魯比·斯諾伯,哈薩尼·維貝茲·科默,西德尼·帕克,喬恩·亞伯拉罕斯,費莉莎·羅斯,薩凡納·李·梅,邁克爾·利維,比利·斯洛特,Kai Cenat我當你兄弟
文斯·沃恩,詹姆斯·麥斯登,艾莎·岡薩雷斯,凱斯·大衛,斯蒂芬·魯特,吉米·塔特羅,埃米麗·漢普希爾,劉易斯·陳,本·施瓦茨,阿圖羅·卡斯特羅,迪倫·普萊費爾,大衛·湯姆林森,保羅·程,凱特琳·貝肯,Sara Angelica,Mackenzee Cullen,Scott Cloney,德里克·詹姆斯·特拉普鬼們之蝴蝶大廈
尹馨,曹佑寧,馮淬帆,白潤音,蔡振南,莊凱勛,安心亞,曾莞婷謊言與偷竊
艾米麗·拉塔科斯基,西奧·詹姆斯,弗雷德·邁拉麥德,艾邦·摩斯-巴克拉赫,小伊塞亞·維特洛克,伊萬·漢德勒,約翰·蓋汀斯茱莉婭的眼睛
貝倫·魯埃達,路易斯·奧馬,巴勃羅·德爾基,茱莉亞·古鐵雷茲·卡巴,赫克托耳·克拉拉蒙 ,弗蘭塞斯克·奧雷利亞,克拉拉·塞古拉影視排行
癡迷
邁克爾·約翰斯頓,印達·納瓦雷特,Cooper Tomlinson,梅根·勞利斯,安迪·里克特,Haley Fitzgerald,Darin Toonder,Chloe Breen,Anthony Pavone,Justice,Malcolm Kelner,Anthony Casabianca,Travis Beck,Kyle Blumenthal,Matthew Jackson影片講述了一個絕望浪漫者的愿望引發超自然詛咒的故事。Woe(邁克爾·約翰斯頓 飾)長期暗戀童年好友Nikki(印達·納瓦雷特 飾),在一次表白失敗后,他通過一件具有“猴爪”式超自然力量的 飾品許愿,希望Nikki能愛上他。但隨著愿望成真,Nikki的行為逐漸變得異常,她的偏執和人格扭曲暗示其自主意識被某種惡意實體取代。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
偉大的覺醒
John Paul Sneed,喬納森·布萊爾,Josh Bates,Joe Dignoti,Stephen Foster HarrisExploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.
最后的救贖2024
娜塔莉·伯恩,詹姆斯·科茲莫,Denisa Juhos在這片充滿劍和魔法的土地上,土匪們為了保護一個小女孩而脫離了他們的幫派,讓他們與曾經像他們父親一樣的老朋友和前領導人對抗。