在線播放
劇情簡介
《心靈的節奏》線上看,由艾里西歐·蘇比耶拉導演,Pep Munné,Maria等演員領銜主演,影片主要講述了[在Seville的成功的外科醫生Antonio是一位已有家庭的中年男人，在去阿根廷開會的一次機會中他墜入了一段危險的感情——他和一位美麗的黑發女孩Delia之間的愛。一段激情的探戈仿佛令他從漫長無味的婚姻中蘇醒了過來，他們之間充滿拉丁風情的愛火有如一段溫柔卻又強烈的舞蹈，然而這段忘年的感情卻無法避免將給他們和相關的每個人帶來折磨……],心靈的節奏"
人氣佳作
幼兒園荒誕夜
皮特·維特科夫斯基,齊伯尼·查馬修瓦斯基,Lena Gora,Masza Wagrocka消失的王子
奧瑪·希,貝熱尼絲·貝喬,弗朗索瓦·達密安,Sarah Gaye,Keyla Fala,Néotis Ronzon,菲利普·維約,菲利普·烏禪,Lionel Laget,菲利普·赫里森,Asia Amans,穆斯塔法·阿波拉希德,Warren Zavatta,William Gay,Olivier Merle,Clément Naslin,Mirela Payret,Henri Giey,布魯尼·馬卡亞,Enak Dogit老媽去死吧
斯塔克·桑德斯做賊抓賊
Peter Sellers,Lionel Jeffries,Bernard Cribbins,Davy Kaye,Nanette Newman,Bill Kerr導演精選
開心勿語
梅家四姐妹父母早亡，多虧大姐大香（梅艷芳 飾）獨立經營點心店，妹妹二香（柏安妮 飾）、三香（陳加玲 飾）和四香（袁潔瑩 飾）才能順利完成學業，出落成開朗可愛、美麗動人的大姑娘。三個妹妹吸引來無數的追求者，她們也各自找到了心儀之人。然而梅家有個不成文的規定，只有大姐出嫁后三個妹妹才能順序出嫁，偏偏大香不重儀表，脾氣又壞，男人們唯恐避之不及，這可愁壞了三個愁嫁的女孩。為了讓姐姐早日找到如意郎君，她們和各自的男友商量幫大香物色一個合適的對象。 三好小男人曾灶才（曾志偉 飾）被女友愛絲（吳君如 飾）拋棄，傷心欲絕之時，他被三姐妹找來追求冰山美人大香……
然后怎樣
On the last day on Earth, one woman goes on a journey through LA to make it to her last party before the world ends, running into an eclectic cast of characters along the way.
從今天到明天
Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.