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阿爾菲1966
邁克爾·凱恩,謝利·溫特斯,米利塞特·馬丁,茱莉亞·福斯特,珍·愛舍,雪莉·安妮·菲爾德,維維恩·莫堅(jiān)特,伊蓮諾·布羅,丹霍姆·艾略特,阿爾菲·巴斯,格雷厄姆·斯塔克,穆雷·梅爾文,西德尼·塔夫勒荒誕一天
娜因·岡澤勒斯·諾威德,阿德里安娜·巴拉薩,卡珊德拉·錢蓋羅蒂,丹尼爾·托瓦,阿爾佛萊德·卡斯特羅,娜塔莉亞·索利安,費(fèi)爾南達(dá)·卡斯蒂略,勞爾·布里奧內(nèi)斯,莫妮卡·德爾·卡門,Fernando Cattori,伊爾絲·薩拉斯,Juanki Durán,ángeles Cruz金錢第一
凱瑟琳·海格爾,丹尼爾·遜亞塔,杰森·奧瑪拉,派特里克·費(fèi)斯克勒,黛比·雷諾斯尋棺
張赫,石雪婧,丁文博,朱鐵和私刑監(jiān)獄
杰雷薩雷拉,雅爾莫普基拉,阿里薩沃寧特警霸王花
Supakson Chaimongkol,Kessarin Ektawatkul,Bongkoj Khongmalai同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
完美的騙子
濱美枝,三津田健,加布里埃拉·喬爾杰利,Jan Teulings,Arnold Gelderman,讓-皮埃爾·卡塞爾,凱瑟琳·德納芙,弗朗西斯·布朗什,莎夏·布瑞克特,查爾斯·登納,讓-呂克·戈達(dá)爾,珍·茜寶,拉斯洛·薩博,丹阿彌谷津子,亨利·埃托,米歇爾·查瑞爾,馬塞爾·加索克,多米尼克·扎爾迪Four swindle stories, taking place successively in Tokyo - Japan (Les cinq bienfaiteurs de Fumiko), Amsterdam - The Netherlands (La riviere de diamants), Italie (La feuille de route), and Paris - France (L'homme qui vendit la tour Eiffel).
我住在凡爾賽的日子2025
Nina Perez-Malartre,Emi Lucas-Viguier,Malcolm Vallet,安娜·阿爾瓦羅,席琳·榮特,雅各布·韋伯,阿麗亞娜·阿斯卡里德,蒂埃里·萊爾米特,安托萬·賴納茨,Renan Cros,Julien Sibre,Oussouby-Junior Fofana,Madoussou Camara,Jaynelia Coadou,瑪佳麗·羅森茨威格故事圍繞著八歲的維奧麗特展開。在父母離世后，她搬到了脾氣暴躁的舅舅雷吉斯家中生活。雷吉斯是凡爾賽宮的一名維修工人。他們一起度過了人生中的種種難關(guān)，在凡爾賽宮的歷史背景下建立了深厚的感情。
中學(xué)生圓山
草彅剛,平岡拓真,原史奈,巖松了,刈谷友衣子,皆川猿時(shí),三宅弘城,野波麻帆,坂井真紀(jì),少路勇介,柚木提娜原山克也（平岡拓真 飾）出生于一個(gè)典型的日本家庭之中，父親（仲村亨 飾）是普普通通的上班族，母親（坂井真紀(jì) 飾）是本本分分的家庭主婦，妹妹（鍋本凪凪美 飾）是平平凡凡的懵懂少女，這樣的克也，心中卻隱藏了一個(gè)下流的秘密，克也用盡了各種方法，只為了能夠?qū)⑦@個(gè)秘密變?yōu)楝F(xiàn)實(shí)。 某日，一位名叫下井辰夫（草剪剛 飾）的單身父親搬來成為了克也的鄰居，這位似乎和誰都能輕松打成一片的和藹男人，其身份和過去皆無人所知。讓克也沒有想到的是，下井竟然輕輕松松的就猜透了自己的秘密，從此，年齡相差巨大的男人便常常聚在一起，以小區(qū)以及其中的居民為藍(lán)本，盡情幻想著各種各樣有趣的故事。隨著時(shí)間的推移，克也和下井之間產(chǎn)生了真摯的友誼。
雙喜2025
劉冠廷,余香凝,楊貴媚,田啟文,庹宗華,湯毓綺,蔡凡熙,洪群鈞,晏柔中,梁皓嵐,林史恩,張馨比,劉品言,李國(guó)毅,陳淑芳,朱凱柏,林在培,檢場(chǎng),楊麗音,洪都拉斯,于子育,李之勤,梁綺翹,黃惠卿,江家賢,黃婕菲,吳繼高,陳以文,謝麗金,姜康哲,黃宣,吉岡里帆,楊樂多,游珈瑄,江澄瑄,阮鳳儀,林品彤,詹鏝璞,張心哲新郎高庭生（劉冠廷 飾）與新娘吳黛玲（余香凝 飾）在一生一次的大喜之日，面對(duì)多年來打死不相往來的男方父親高盛宏（庹宗華 飾）與母親白雁心（楊貴媚 飾）爭(zhēng)相主持兒子的終生大事，不愿得罪父母的高庭生只好聯(lián)合岳父老吳（田啟文 飾）、婚顧小芮（湯毓綺 飾）、伴郎大蔡（蔡凡熙 飾），試圖瞞天過海在一天內(nèi)完美舉辦兩場(chǎng)婚禮。