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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
羅生門
三船敏郎,京町子,森雅之,志村喬,千秋實,上田吉二郎,本間文子,加東大介羅生門，日本京都的正南門。云游和尚、砍柴人和乞丐在城門底下避雨，三人閑聊，話題開始，故事的序幕拉開：一個武士和他妻子路過荒山，遭遇了不測。妻子被侮辱，而武士慘遭殺害。慘案如何釀成？兇手、妻子、借武士亡魂來做證的女巫，都各有說法。真相只得一個，但是各人提供證詞的目的卻各有不同。為了美化自己的道德，減輕自己的罪惡，掩飾自己的過失，人人都開始敘述一個美化自己的故事版本?；纳缴系膽K案，成了一團撥不開看不清的迷霧。談論完畢，雨過天晴?？巢袢嗽诹_生門旁發現一個哭泣的棄嬰。他決定收養下來，抱著嬰孩往夕陽深處走去。
七月寒潮
邁克爾·C·豪爾,山姆·夏普德,唐·約翰遜,凡妮莎·肖,懷亞特·拉塞爾出于自衛，理查德射殺了侵入自己家中的陌生人。但是他不得不面對死者父親的殘忍報復。然而不久，敵對雙方就發現事實并不像表面展現的那么簡單，他們不得不聯合起來面對黑暗的真相。
爆發2025
查莉XCX,倫娜·戈拉,威爾·馬登,杰里米·O·哈里斯,阿伽塔·特澤布霍夫斯卡,Maja Michnacka,Jan Lubaczewski,Jacek Zubiel,Marcin Malisz,Anton Kolbasko,Aleksander Lipski-Reinstein,Jakub Galecki,Mirra Prudowska,Grzegorz Pluciennik,Julia Swiech,Bartlomiej Palubicki,Julian Sanchez對華沙兩名女性之間易燃關系的初步調查；一個是波蘭人，另一個是游客。
嘎啦
瑪菲司,儲榢逸,李恩佑,徐灝翔直播主瑪菲司一家抵達即將開幕的度假村舉辦活動，然而他們從未料到，迎接他們的竟是恐怖的降臨。為了揭開真相，阿序和好友天仁召集了一群網友，再次前往度假村探險，并希望通過這次探險在網絡上獲取流量。殊不知，他們即將卷入一場自1960年延續至今、從未停止過的邪惡祭典。