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同款熱播
毛骨悚然撞鬼經25周年特別篇
稻垣吾郎,香取慎吾,森七菜,山內健司,坂口憲二,生見愛瑠,門脅麥,山口紗彌加,豐島花,布施繪里
綁架2007
林嘉欣,劉若英,張智霖,郭濤,張兆輝,官恩娜,趙會南3年前，話劇老師林曉陽（林嘉欣飾）的弟弟被綁架，案件交由高級督察何宛真（劉若英飾）及智叔（張兆輝飾）負責，可是在追捕的過程中，疑犯因爭吵墜樓身亡，林曉陽就此埋下了怨恨。 三年后，林曉陽患病的丈夫（趙會南飾）病情加重，需要一千萬才能有治好的希望，林曉陽動了綁架富豪王森（郭 濤飾）兒子的念頭。多日來林曉陽跟她從尼泊爾認識的同伙跟蹤小孩動向，后來決定在一個傍晚下手。剛好案子也是有何宛真接手，就讓林曉陽有了報復的心理，何宛真為了救回孩子只好服從，可她萬萬沒有想到，原來王森的兒子，跟自己的兒子調換了衣服穿，被林曉陽綁架的正是何宛真的兒子。 兩個女人，都為著心愛的親人在綁架案中斗志斗勇，展開激烈的較量。
蜜戀合租
孫志強,徐海文,謝雨欣安諾軒辭高薪逐寫作夢，26歲遭男友陳強出軌并貶其夢想，分手后陷窘境。閨蜜幫她招租，曾被她所救、暗戀她的蘇梓橋借機合租。兩人磨合中漸生情，雖因誤會分開，安諾軒卻知心意。蘇梓橋助她入職，共退聯姻對象華清泫，獲蘇母認可，婚后安諾軒寫作終成。
環法
熱拉爾·德帕迪約Far’Hook is a 20-year-old rapper. Following a violent dispute with a rival, he’s forced to leave Paris for a while. His producer, Bilal, suggests that Far’Hook acts as driver for Bilal’s father, Serge, on a tour of French ports, following in the footsteps of the classic painter Joseph Vernet. Despite the age gap and culture clash, an unlikely friendship forms between this talented rapper and a bricklayer from the north of France during a road trip that concludes in Marseille for a final concert, one of reconciliation.
三十一
伊麗莎白·戴利,雪莉·穆恩·贊比,丹尼爾·洛巴克,勞倫斯·希爾頓-雅各布斯萬圣節前一天，五名狂歡節員工被綁架挾持到一個稱為“肅殺世界”的孤立院子。在萬圣節時，他們會被扔進一個名叫“31”的虐待狂的游戲中，他們將面對一群穿得像小丑一樣的瘋子。然而，小丑并不是唯一需要擔心的，一個更宏大的邪教儀式和更殘酷的陰謀將被喚醒......
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.