悶絕悶絶！！どんでん返し
這個“悶絕”男人叫北山，本來是跟著酒吧認識的女人明美回家過夜的，不想，明美的男人從里邊躥出來，于是，他便被“悶絕”。 這是影片的前半部分，基本上是由性愛場面構成的。同性之愛，援助交際，SM，群交，……看上去乏味又無趣。 比較莫名其妙的，最初“悶絕”的北山在粗暴男人的蹂躪下竟然獲得了快感，產生了依賴，而當初，在第一次被侮辱之后，他把自己鎖在衛生間里痛哭流涕。更莫名其妙，他和誘惑他的美女同事去約會，關健時刻又發生早泄事件，沒辦法，他就決定變成一個女人。 當男人變成女人，戲就精彩起來。北山涂脂抹粉，粘上了長長的眼睫毛，穿著乳白色的毛線衣，坐在搖椅里的那一剎那，本來乏味的畫面立刻變得生動起來，她的一顰一笑，讓人惡心，又讓人生憐。她寫下血書，要和那個粗暴的男人結為夫妻。 可惜最后，北山還是被拋棄了。粗暴的男人殺死了一個警察，無奈之帶著明美倉惶出逃，北山哀求著用..國外三級
即刻觀影
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戀研！～我們變成動畫啦！～
戶松遙,名冢佳織,新谷良子,豐崎愛生,井上喜久子,釘宮理惠,丹下櫻故事發生在私立貴族學校藤崎女子中學內，在這里就讀的，都是出生名門的千金大小姐。真木夏緒（赤崎千夏 配音）是學生會的會長，在校園里有著極高的人氣和無上的名望，甚至還有著專屬的粉絲團。就是這樣一個完美的女生，某一天，她竟然被個性大大咧咧有如男孩子一般的倉橋莉子（沼倉愛美 配音）撞破了自己發花癡的場面。 原來，在學生會的辦公室里，真木夏緒最常做的事并非處理文件，而是不眠不休的研究如何進行戀愛，因為撞破了這一秘密，麗子被迫成為了學生會會長助理，也因此結識了同樣對戀愛十分著迷，但總是因為過于害羞而躲起來的幽靈書記棚橋鈴音（水瀨祈 配音）。
風來之所
Slim Baccar,桑杜斯·哈桑,Eya Bellagha,Maya Blouza,穆罕默德·格拉亞,Lassaad Jamoussi,Saoussen Maalej,Lobna Noomene自父親去世以來，19歲的阿麗莎成了她患有抑郁癥的母親和年幼妹妹的照顧者。她只想逃離自己的責任以及身邊的痛苦。她最好的朋友梅赫迪（23歲）性格內向，患有白癜風。盡管他有文憑，卻仍然失業，這讓他覺得自己對不起家人。兩人都用幽默和想象力來逃避艱苦的生活。梅赫迪講述并繪制超現實主義的故事，而阿麗莎則盡可能地重新塑造自己的現實。當他們得知全國范圍內舉辦的一場繪畫比賽可能會改變他們的生活時，他們偷了一輛車，開始了一場瘋狂的公路旅行。他們的友誼經受了考驗，他們發現了突尼斯最好的一面和最壞的一面。他們的希望破滅了，但他們的旅程改變了他們。三個月后，梅赫迪非法移民離開了，因為阿麗莎無法拋下她的家人。
三對半情侶和一個小偷
張多福,蓋麗麗,羅莉莉,許守欽,史崇仁,劉幗君,鄭秋濤,畢芳芳,常衛華,曹滬芳上海某建筑公司青工李捷和市工藝品公司女青年王艷是一對初戀的情人。他們因文化考試作弊被老師當場抓獲，而對成績零分他們毫不介意，并相約去桂林旅游。在去嵩山的飛機上，李捷和王艷結識了一對金婚旅游的教授夫婦、一對新婚伉儷和一位自稱銀行經理眼睛卻總盯著別人錢包的"賈主任"。旅游團住進了"臺聯酒店"。第一餐用在摹擬廳模仿外國人進餐。李捷面對全是外文的菜單，沉著上老教授的樣子指指點點，結果，擺在他倆面前的是全套冷飲。為了驅寒，二人只好一路舞回房去。眾人暢游桂林，"賈主任"卻在酒店里忙了起來。他把那人不離新郎的紅皮箱翻了個底朝天，看到的除了方便面就是干面包。旅游歸來，無法平靜的教授來到李捷房間高談闊論起來。而洗澡間里，李捷和王艷早已擁抱在一起了。第二天，教授夫人發現自己五十年未曾離手的戒指不見了，一口咬定是教授搞的，使教授十分尷尬。在江畔垂釣的李捷遇上了以跳江要挾女友莉莉辦理結婚登記的好友陳偉。李捷為幫助陳偉和莉莉周旋，代替陳偉去和莉莉登記，卻陰差陽錯地寫上了自己的名字。這正中莉莉之意，于是，莉莉死死纏住李捷，陳偉也和李捷斷絕了友誼。在旅游團逛市場的時候，"賈主任"這個大小偷被小小偷掏了腰包，人們從小小偷逃跑時丟下的錢包里發現了教授夫人的戒指。王艷因血中缺鈣抽搐、嘔吐。看病時，她把鈣和癌的符號搞混，以為自己得了血癌，于是服了老鼠藥決定"安樂死"。莉莉心灰意冷，將"結婚證書"丟進漓江，"賈主任"好不容易把莉莉的挎包弄到手，卻被當場抓住。李捷和王艷回到上海，雙雙來到職工的夜校。可是，原來的學校也棄教經商了。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼租客
納查潘·帕拉瑪查倫羅,Aew Aumpa Phusit,波似·坡尼皮帕特·庫尼嗦,坦恩.基緹男.坎蒙功空理法密昕,馬克·納克塔赫·坎那特桑安,Boom Raweephan Siriwattana一個破產的平面設計師最終租了一個有著恐怖故事和神秘鄰居的房間。
幽閉空間
杰森·帕特里克,路易莎·克勞瑟,馬克·馬戈利斯THE CONFINES is a claustrophobic thriller that follows a troubled young woman who, in a last-ditch effort at getting her life together, takes a job working nights as a security guard at an abandoned luxury apartment building. Stuck with a brusque rent-a-cop as her partner, she tries to not let her mind play tricks on her while she patrols the empty halls. But as the night progresses strange things begin to happen - and she realizes it may not all be in her head.