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最終荷載
Judd Nelson,杰夫·法赫,德魯·沃特斯,瑪迪·亨德森Pierce Butler, a former Marine and long-retired marijuana smuggler, whose wife is suffering from a rare type of cancer, must return to his drug-running ways and make one Final Load in order to save his house, his company, and his wife.
舞林殺手
佐久間大介,椎名桔平,中本悠太,青柳翔,小澤仁志,平川結月,石橋蓮司,前田亞季,六平直政,成松修,矢島健一影片聚焦五名年齡和性格各有差異的專業殺手組織成員。某天，他們接到了一個有著豐厚報酬的任務，可除掉目標的方式竟是在舞蹈大賽上獲得第一？經驗為零、協調性為零、干勁也為零的殺手們臨時拼湊出了一支水平參差不齊的隊伍，決定認真挑戰舞蹈大賽！ 「スペシャルズ」に登場するのは、年齢も性格もバラバラな孤高のプロの殺し屋たち。彼らは超高額報酬の任務を受けるが、ターゲットであるくせ者を排除する方法はダンス大會で優勝することだった。経験ゼロ、協調性ゼロ、やる気もゼロの殺し屋の凸凹即席チームは、本気でダンスに挑むことになる。
中華戰士
楊紫瓊,吳耀漢,爾冬升,盧冠廷,劉芊蒂,松井哲也,陳敬,張耀星,趙志凌,馮克安,黃正利,谷峰,劉晃世,羅莽,譚偉民影片以悲壯的筆觸，描述了30年代時期，不丹國卡爾城金將軍與日軍勾結，在城里生產毒氣，中國派遣特務“天字第一號”和現代鏢局負責接出城主尤達。女鏢師阿瓊在愛慕尤達的金將軍女兒芊芊幫助下，意欲和尤達一起逃走，但“天字第一號”力主要破壞毒氣計劃，結果被抓。金將軍為救愛女，反過來幫助他們，與日軍開始一場大戰。
太空生活
羅伯特·帕丁森,朱麗葉·比諾什,安德雷·本杰明,米婭·高斯,阿加塔·布澤克,拉斯·艾丁格,克萊爾·陳,伊萬·米切爾,格洛里亞·奧比安約,斯嘉麗·林賽,杰西·羅斯,維克多·班納杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska在一艘飛往黑洞的宇宙飛船上，一群被判死刑的罪犯被賦予太空英雄般的使命，去為地球尋找替代能源。囚犯之間的性活動被嚴格禁止，只能通過飛船上的"盒子"裝置來緩解生理沖動。其中，Dibs博士(朱麗葉·比諾什 飾)將每個囚犯當作實驗動物對待，并瘋狂致力于通過人工授精來制造嬰兒，然而這些實驗卻一直沒有成功，直到她偷偷取得奉行禁欲生活的Monte(羅伯特·帕丁森 飾)的精液...
綁架者2026
雷佳鑫,楊力,田華,黃一飛,陶慧敏,趙毅佳宇打算去北京阻止父母離婚。被佳宇救助的鄧凱幫他籌錢。父母回村辦離婚，佳宇被鄧凱假綁架，反被傳銷分子利用敲詐佳宇父母，父母報警，佳宇被救。佳宇在景區招商匯演時表演當年父親失敗的魔術，挽留父母。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.