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雛菊1966
雅羅斯拉夫·庫切拉,伊萬娜·卡爾班諾娃,埃斯特爾·克倫巴赫喬娃,伊特卡·采爾霍娃,Marie Cesková,Jirina Myskova,Marcela Brezinová,Julius Albert,Oldrich Hora,Jan Klusák,Václav Chochola,Josef Konícek,Jaromír Vomácka,Miroslava Babúrková,J. Bartos,Oldrich Basus,Jirina Cesková布袋人
山姆·克拉弗林,安東尼婭·托馬斯,威廉·霍普,史蒂芬·克里,弗蘭基·科里奧,阿黛爾·萊昂斯,亨利·佩迪格魯,莎倫·D·克拉克,尼爾·林波,Jordan Gubian,Will Davis,Caréll Vincent Rhoden索命舞娘
麥迪·齊格勒,拉娜·康多,艾瑞絲·阿帕托,阿凡提卡·萬達納普,米利森特·西蒙茲,烏瑪·瑟曼,莉迪亞·倫納德,邁克爾·卡爾金,Kate Freund,克里斯蒂安·恰克瓦里,加博爾·納吉帕爾,Julian Krenn,沙哈布·魯巴達,鮑拉日·邁杰里,貝拉·奧爾薩尼,弗朗西斯·麥克伯尼,亞當·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet失蹤兒童錄像帶
杉田雷麟,平井亞門,森田想,藤井隆無論如何我愛你
鋼鐵飛龍之再見奧特曼
侯勇,大張偉,金晨,曲哲明,向佐,羅云熙,郝劭文,汪鐸,屈菁菁同類推薦
東北警察故事3
謝苗,林曉杰,崔志佳,黃米依,伍允龍,馬千壹,張磊,馮瑤,唐鑒軍,田娃,吳莫愁李紅旗要辦婚禮了!本想婚禮一切從簡,但彪悍熱心的丈母娘(林曉杰 飾)堅持做主想大操大辦,李紅旗不得不飛往海角,落地后卻得知飛機鄰座女孩昕昕(馬千壹 飾)被人販子拐走。面對兇殘狡猾的犯罪團伙,李紅旗與當地辦案風格迥異的警察孫彪(崔志佳 飾)強強聯手,在婚期逼近的倒計時中和人販子頭目秦葉蓉(黃米依 飾)及賣魚佬(伍允龍 飾)展開殊死搏斗。婚禮籌備笑料百出,辦案追兇驚心動魄——紅旗不倒,正義不休假!看李紅旗如何罪犯、幸福兩手抓。
鯨
布蘭登·費舍,薩迪·辛克,周洪,泰·辛普金斯,薩曼莎·莫頓,實諦·史達仁,杰西·辛克影片改編自Samuel D. Hunter創作的同名戲劇,講述在愛達荷州鄉村一個破舊的公寓里,重達272公斤的英語教師查理(布蘭登·費舍 飾)隱居避世,固執、堅決地要把自己吃死。查理在中年時期為了同性情人拋棄家人,但情人過世后因為悲傷和內疚暴飲暴食,并且嘗試與17歲的女兒艾莉(薩迪·辛克 飾)修復關系。隨著查理越來越接近不可避免的命運,他的朋友麗茲(周洪 飾),一個憤世嫉俗的無神論者護士,以及埃爾德·托馬斯(泰·辛普金斯 飾),一個年輕的傳教士都試圖在查理身上找到能被拯救的意志,無論是肉體上還是精神上。然而,只有與查理關系疏遠的女兒艾莉才能讓他看到目前絕望狀態之外的未來,艾莉雖然尖酸刻薄、充滿仇恨、渾身是刺,查理卻能在她身上找到最后一次贖罪的機會,甚至可能是一絲希望。
致命圍困
米莎·巴頓,黛博拉·卡拉·安格,卡梅隆·布萊特馬里斯特拉扎被稱為建筑界的藝術家和大師,他所設計的建筑被同行奉為典范。在某個,一幢馬里斯特拉扎的代表作拔地而起,然而這里卻發生了慘絕人寰的兇案。許多無辜之人被砌在墻壁中,澆筑水泥窒息而死,這幢大樓也從此廢棄。 15年后,年輕美麗的女拆遷工程師薩曼莎(Mischa Barton 飾)自學校畢業,她從父親手中得到拆毀那幢大樓的任務。薩曼莎獨自一人前來,在這里認識了女管理員瑪麗?蘇特(Shannon Jardine 飾)和她的兒子吉米(Cameron Bright 飾)。從母子的口中,薩曼莎得知這幢大樓的一些禁忌,而在吉米的引導下,她逐漸發現這里陰暗的一面……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
停滯
Dan Palmer,Tamaryn Payne,Mark Holden講述一個看門人被困在一個女廁所,遇到一批僵尸的攻擊……