瀬戸春希 – 飛び出せ青春Fカップ

明天發生的事情

迪克·鮑威爾,琳達·達內爾,杰克·奧克

　　An ambitious newspaper reporter (Dick Powell), eager to scoop the competition, wishes he could know the news before it happens. A mysterious old man (John Philliber) grants the reporter that power, even as he cautions against using it. Now able to predict the news 24 hours in advance, the reporter goes about scooping all the other papers, picking sure-fire winners at the race track, and enjoying life... until he learns -- in advance, of course -- of his own death. Our hero's problem: How can he keep the future from happening?(imdb)　　主人公每天晚上都收到一份次日早上出版的報紙，他獲悉自己在數小時內即將斃命，然而他卻幸存下來了。（喬治·薩杜爾《世界電影史》）

禍禍女

南沙良,前田旺志郎,山田葵 ,高石明里,九條ジョー,鈴木福,前原瑞樹,平田敦子,平原哲,齋藤工,田中麗奈

早苗的戀人，在雨夜慘死于都市傳說中「禍禍女」的詛咒之下——傳聞這只女鬼帶著潮濕的黑發，循著背叛者的氣息索命。親眼目睹戀人被拖入黑暗的早苗，被無盡的恐懼與恨意啃噬，她循著「禍禍女」的傳說碎片，踏入被詛咒籠罩的陰暗角落。調查中，她撞見無數令人寒毛倒豎的詭異異象，每一步追查都在揭開戀人死亡背后的謊言，那只游蕩的女鬼，始終在她身后帶著冰冷的注視，等著她看清藏在黑暗里的真相。

捍衛機密

基努·里維斯,迪娜·邁耶,北野武

　　公元2021年，資料除了透過電腦輸送外，還可利用人腦運輸。專業運輸員尊尼為了運送更多資料，不惜洗去自己的記憶。一次任務中，尊尼被客戶輸入過量資料，若他不在二十小時內找到輸出密碼，他便會倒斃。另一方面，日本集團為了奪取他腦內的資料，也對他展開一場大追殺。

艷倒群雌

韋斯利·斯奈普斯,帕特里克·斯威茲,約翰·雷吉扎莫

　　薇達和杰克森是紐約著名變裝皇后，獲得到加州好萊塢參加選美的來回機票。兩人遇到因落選而十分難過的羅琪琪。于是，兩人便將機票賣掉，改租一部凱迪拉克敞篷車，并邀請羅琪琪共同前往加州好萊塢參加選美。 沒料到車子途經一個小鎮時拋錨，三個濃妝艷抹的男子被困在保守純樸的小鎮里。他們在這里 ，不但使鎮民們眼界大開，讓原本純樸乏味的小鎮，充滿生活與活力，還撫慰了許多破碎的心靈，一連串驚奇的笑料不斷登場……

女子戒毒所

陳寶國,劇雪,金棣,陳銳,趙奎娥

 女子戒毒所 (1992)故事梗概武警隊長周健和他的助手劉威匯報案情，本市發生了香港黑社會勢力為了爭獲價值百萬美元的最新毒品“冰”而發生的事件。關鍵人物是要找到窩主“七妹”。“女子戒毒所”成為重點查找目標。女子戒毒所收監著許多女吸毒者。無正當職業，語言尖刻的陳麗，19歲的音樂學院學生羅童童，性格脆弱，最后自殺身亡。性格開朗的個體戶阿晴，后來知道自己懷孕，決心戒毒。林芳菲是電大畢業生，因丈夫有外遇而呼毒。進戒毒所后不吃不喝，拒絕與醫生合作。李娟，自稱是外地來的演員，自愿來戒毒，話很少，給人陰毒的感覺。戒毒所醫生陸虹克盡職守對待病人，還積極協助公安局查找“七妹”錢老板也注意到戒毒所這個目標。香港的14K組織也派其成員張國文潛入內地。張原是陸醫生的情人，后去香港并加入黑社會組織。陸虹被其虛情假意軟化，還被害得染上毒癮。張國文利用自己與陸虹的關系，去04病房時找到了“七妹”，以20萬港元為交換條件，通過陸虹，把04病房的病人用汽車接走。張國文的一舉一動沒有瞞過錢老板。雙方人馬為了搶“七妹”找到“冰”的下落，展開了一場惡斗。我公安人員早已布下天羅地網，全殲了這些歹徒。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

夢工廠

艾米利亞·舒勒,肯·杜肯,思文佳·永,安納托·陶布曼,尼科萊·金斯基,海納·勞特爾巴赫,萊恩·庫德里亞維斯基,Milton Welsh,丹尼斯·莫因,威爾弗里德·霍赫霍爾丁格,阿克瑟·施奈伯,Lea Fa?bender,薩比娜·巴斯,艾蓮娜·薩爾瓦·岡薩雷斯,亞歷山大·雅辛,托拜厄斯·勞特伯格

　　故事發生在1961年的德國，剛剛退伍的軍人埃米爾（丹尼斯·莫因 Dennis Mojen 飾）來到了位于巴伯斯貝格的DEFA電影公司，他的哥哥亞歷山大（肯·杜肯 Ken Duken 飾）在這里為弟弟謀得了一份差事，很顯然，一個埃米爾聞所未聞的新世界即將在他的眼前展開。　　在一次群演任務中，埃米爾認識了名叫米露（艾米麗亞·舒勒 Emilia Schüle 飾）的女孩，米露是當紅女星碧翠絲（艾蓮娜·薩爾瓦·岡薩雷斯 Ellenie Salvo González 飾）的舞蹈替身。米露優美的舞姿和溫柔的個性很快就令埃米爾墜入了情網，在一連串火熱的攻勢之后，米露總算答應同埃米爾共進晚餐。可是，米露第二天就要回法國了，埃米爾決定在自己的愛人離開之前，送給她一份驚喜。