天邊一朵云2005

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　赤膽忠心的楊家將，世世代代為國而戰，子子孫孫為民而死，留下了不少驚天動地的戰役。老一代的英雄倒了下去，但是少一代的豪杰又站了起來，直戰到最后一員虎將楊宗保。為了抵抗西夏侵犯疆土，遠征邊關，與強敵苦戰三晝夜。他保持這樣加不屈不撓的精神，以寡敵眾，不幸在金山之役中了埋伏，全營將士壯烈犧牲。楊宗保身負箭傷，被困金山，以身殉國。楊家滿門為保衛宋朝江山及替楊宗保報仇，在老祖母佘老太君的發起下，組成了一支楊家軍，誓與番邦周旋到底。

    《洗錢風云》說了一個什么故事呢，正如預告片里說的那樣，這是一個真實的爛事。大家應該還記得2016年的“巴拿馬事件”吧，好了，點到為止，這事不好多說。這事是怎么被曝光的呢，電影會告訴你這是一個意外。梅麗爾·斯特里普扮演的一個年齡不小的閑得沒事干的寡婦，她把這事給捅漏了。她本來只是在追蹤一起保險詐騙事件，卻意外發現了舉世矚目的驚天黑幕。就這樣，巴拿馬的莫薩克·豐塞卡律師事務所、1150萬份文件浮出水面，把世界上最有錢的一些人和為了避稅而建立的秘密銀行賬戶聯系了起來。

調查偏遠波蘭小鎮兒童失蹤案時，檢察官利奧波德·比爾斯基必須抓緊時間揭開當地的一個險惡傳說背后的謎團，以免為時過晚。