欲火中燒：被捆綁的肌膚
《欲火中燒：被捆綁的肌膚》線上看,由藤井克彥導演,谷奈緒美,東照美,風間杜夫,三等演員領銜主演,影片主要講述了任俠一家を舞臺にした団鬼六のSM小説を映畫化した任俠SMポルノ。R18+指定作品。監督は、藤井克彥。昭和初期、上州の博徒沢井一家は名親分?重吉がとりしきっていた。その重吉に拾われて育ったお柳は、重吉の一の乾分?銀次郎と愛しあう仲だったが、銀次郎は止むを得ぬ事件で服役することになった。それから間もなく、重吉は刺客?赤ベコの三郎の手で殺された。重吉の息子?松夫は意気地がないため、お柳は松夫が他人に頼らずにやっていける立派な2代目にさせるためにも、自分は、仇の三郎を求めて旅に出た。しかし、松夫は堅気の娘?お美津と戀に陥り、それをいいことに乾分の矢島辰也は二人を炭焼小屋に送り込み、自分は好き放題にして,欲火中燒：被捆綁的肌膚"
即刻觀影
劇情賞析
編輯推薦
鋼鐵蒼穹2：即臨種族
拉臘·羅西,弗拉基米爾·布爾拉科夫,基特·戴爾,茱莉亞·迭澤,斯黛芬妮·保羅,湯姆·格林,烏多·基爾,約翰·夫蘭達斯,詹姆斯·奎因,艾米麗·阿塔克,馬丁·斯威比,卡里·凱托寧,唐漢平,安娜貝爾·洛佩斯,安德魯·莫爾加多,達蘭·穆森,提莫·沃倫索拉鐵空事件發生20年后，前納粹月球基地已成為人類最后的避難所。地球被核戰爭摧毀，但是深埋在荒原之下的是一種可以拯救人類最后一部分或者一勞永逸地毀滅人類的力量。當一個老敵人帶領我們的英雄進入空心地球探險時，人類創造背后的真相將被揭示。為了拯救人類，他們必須與Vril戰斗，Vril是一個古老的變形爬行動物種族和他們的恐龍軍隊。
劇場靈
島崎遙香,足立梨花,高田里穗,町田啟太,中村育二,小市慢太郎水樹沙羅（島崎遙香 飾）是一個在演藝圈打拼多年的青年女演員，雖然她努力磨練演技，勤奮專注，卻始終未得到世人的關注。在此期間她受到來自事務所的壓力，二者相權之際最終選擇參加劇作家錦野豪太（小市慢太郎 飾）的新作《鮮血的召喚》的試鏡。《鮮血的召喚》根據史上真實人物嗜血如命的伊麗莎白的故事改編，為了美這個女人不惜殘害鮮活的生命。沙羅與同事務所小有名氣的女星筱原葵（高田里穗 飾）一同試鏡，兩人最終分別獲得了農家女孩安娜以及主角伊麗莎白的角色。 在排演過程中，放置在舞臺中央的人偶似乎有了自己的意識，讓本就為了榮光而近乎癲狂的女子們更走向了崩潰的邊緣……
嗨，媽媽！
羅伯特·德尼羅,查爾斯·德恩,詹妮弗·紹特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
要地球倒轉
保羅·勒馬特 Paul Le Mat,南茜·艾倫,戴安娜·斯卡爾維德,邁克爾·勒納,路易絲·弗萊徹查理的前妻失蹤了，于是他去了她長大的地方，一個位于西部的鄉村城鎮尋找她。 但是，令人驚訝的是，沒有人知道她或她親戚的所在。 然后他又遇到外星人，但是當他聯系聯邦調查局時，并沒有人相信他。 他只好將故事登報，并隨即受到了外星人的追殺。
活著
葛優,鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順根據余華同名小說改編。富少福貴（葛優）嗜賭成性，妻子家珍（鞏俐）屢勸無果后帶著女兒鳳霞離開了他，當夜，福貴輸光所有家產氣死父親，被迫靠變賣母親首飾租間破屋過活。一年后，家珍手拉鳳霞懷抱剛出世的兒子有慶回到家中，福貴痛改前非，開始靠演皮影戲過起安份守己的日子。但好景不常，內戰時期，福貴被國民黨抓去當勞工，一番輾轉終回到家鄉與一家人團圓后，鳳霞因病變成啞巴，而在后來的大躍進運動和文化大革命中，他雖獲某些小福，逆境卻也一直與他如影相隨。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.