即刻觀影
劇情賞析
編輯推薦
超渡
王欣,陳立謙,張嘉殷,李子昭沒有任何人氣的鬼怪小說作家嚴冬自命不凡，雖然專寫靈異題材，但是卻從不相信世上有鬼。他的經紀人兼好友包勁希望他能盡快寫出真正恐怖且吸引人的作品，為此和他打賭世上到底有沒有鬼。兩人來到鄉下，在專門為他人做法事的三姐的庵堂住了下來。三姐的徒弟們活潑三八，獨有沉默的阿樂不與眾人為伍。阿樂自幼擁有天眼，能夠看到另一個世界的眾生，為了不惹麻煩上身而小心回避他們。另一方面，嚴冬在包勁和女孩們的幫助下終于見到了鬼，卻險些嚇破膽，關鍵時刻多虧阿樂相救。 自此之后他們越來越熟，而見鬼的日子也越來越多，盤桓在人間的眾生希望借助他們得到超度……
禁果2026
莉莉·萊因哈特,羅拉·董,加布里埃爾·尤尼恩,維多利亞·佩德雷蒂,亞歷山德拉·希普,大衛·皮納德,奧斯汀·鮑爾,艾瑪·張伯倫,查理·亨利·拉爾森,西德哈特·沙瑪,海莉·莎莫,Caroline Vartanian,喬丹·杜阿爾特,Jeff Sinasac,Katherine Cruz在達拉斯的輕奢商場，自由伊甸門店的銷售顧問蘋果、櫻桃與無花果，表面是光鮮亮麗的時尚女性，私下卻在商場地下室運營著秘密邪教，以詭異儀式維系著扭曲的“姐妹情誼”。新員工南瓜的到來打破了三人的平衡，她的質疑與審視，迫使成員們直面內心的陰暗面，邪教儀式逐漸失控，血腥與暴力開始蔓延，每個人都必須在自我毀滅與殘酷結局之間做出選擇。
不離不棄2026
張芷溪,初俊辰,沈曉海,黃俊鵬,楊青倩電影主要講述了睿智沉穩的徐文軒、外表文靜秀美但性格反叛火爆的白若雪，與偽君子海石在游戲世界相遇相識后，在現實世界里產生糾葛的愛情故事。
孤島巨蟒
程汁,唐慧,彭夢涵,吳泳茵,蘆偉游船遇風暴沉沒，陸霆、女友陳清、李娜、陳清閨蜜馬櫻（陸霆前女友）漂至荒島。眾人遭巨蟒襲擊，得探險者遺物求生。馬櫻因妒生事，后聯合落難駕駛員王強，王強卻被巨蟒吞噬，馬櫻悔悟坦白。巨蟒擄走陳清，眾人設伏，馬櫻與巨蟒同歸于盡。數月后，陸霆、李娜乘直升機獲救。
皮附
Tristan Beint,Amelia Bennett,Simon RiversSix people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster