女奴

? 2.8 播放：71萬(wàn) 2026-04-22

一對(duì)訂婚的情侶去男方（大衛(wèi)）的父親家度假，卻在一個(gè)酒吧里因?yàn)槭韬觯剑▎讨危┥衩叵А４笮l(wèi)經(jīng)過(guò)多方調(diào)查發(fā)現(xiàn)喬基是被一個(gè)阿拉伯人拐走，帶到了一條船上。大衛(wèi)聯(lián)合妹妹同樣被拐到船上的西班牙人一起去船上救喬基，卻不料大衛(wèi)的父親也來(lái)到了船上... 　　

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劇情提要

一對(duì)訂婚的情侶去男方（大衛(wèi)）的父親家度假，卻在一個(gè)酒吧里因?yàn)槭韬觯剑▎讨危┥衩叵А４笮l(wèi)經(jīng)過(guò)多方調(diào)查發(fā)現(xiàn)喬基是被一個(gè)阿拉伯人拐走，帶到了一條船上。大衛(wèi)聯(lián)合妹妹同樣被拐到船上的西班牙人一起去船上救喬基，卻不料大衛(wèi)的父親也來(lái)到了船上... 　　

幕后花絮

兩個(gè)世界一個(gè)愿望

　　一位世界著名的考古學(xué)家和一位務(wù)實(shí)的律師在童年紐帶多年后重新聯(lián)系，當(dāng)時(shí)他們天真無(wú)邪的友誼變成了堅(jiān)不可破的東西。

皆為好事

　　Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.