誠實：好女孩3

覃城炮火連綿，時局動蕩。女醫學生映雪為尋找失蹤的孿生姐姐，只身闖入城郊死寂陰森的楊家祖宅。這宅子空蕩破敗，舉止怪異的太太、瘋癲的房東、神出鬼沒的聾啞仆人，處處透著詭異，讓她寒意徹骨。宅內怪事頻發，突然轉頭的詭異娃娃、深夜傳來的恐怖童謠、陰影中自己和自己翻花繩的小女孩，悄然落在肩頭的長發，冥冥之中有什么在召喚著她。她逐步發現姐姐應是命喪于此，而前來尋血親的自己已成為恐怖游戲中房東太太的下一個“食物”。

惡靈交易超自然驅魔恐怖新片！內容涉及被宗教禁止、上帝也憎恨的超自然世界和無形生物

這是系列首次以露伴的責任編輯、同時也是其得力搭檔——泉京香為主人公展開的故事。這一次，京香因露伴的一句話，被卷入一場難以想象的怪異事件。本作在原作者荒木飛呂彥的協助下完成劇本創作，并由在國際上也備受關注的導演組合“5月”的關友太郎與平瀨謙太朗共同執筆，推出全新原創故事。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster