超惹火補(bǔ)習(xí)班
《超惹火補(bǔ)習(xí)班》線上看,由導(dǎo)演,金珉秀, 劉知媛, 吳智夏, 等演員領(lǐng)銜主演,影片主要講述了個(gè)性膽小畏縮的治秀,總是被朋友們欺負(fù)。但隨著治秀身上擁有超乎想像的「龐然大物」神祕(mì)傳聞傳開(kāi),他瞬間成為補(bǔ)習(xí)班所有女性最渴望的性對(duì)象。深刻體會(huì)到人心殘酷現(xiàn)實(shí)的治秀,在意識(shí)到自己的優(yōu)勢(shì)後,打算對(duì)那些曾折磨過(guò)自己的女性們展開(kāi)復(fù)仇……,超惹火補(bǔ)習(xí)班"
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劇情簡(jiǎn)介
《超惹火補(bǔ)習(xí)班》線上看,由導(dǎo)演,金珉秀, 劉知媛, 吳智夏, 等演員領(lǐng)銜主演,影片主要講述了個(gè)性膽小畏縮的治秀,總是被朋友們欺負(fù)。但隨著治秀身上擁有超乎想像的「龐然大物」神祕(mì)傳聞傳開(kāi),他瞬間成為補(bǔ)習(xí)班所有女性最渴望的性對(duì)象。深刻體會(huì)到人心殘酷現(xiàn)實(shí)的治秀,在意識(shí)到自己的優(yōu)勢(shì)後,打算對(duì)那些曾折磨過(guò)自己的女性們展開(kāi)復(fù)仇……,超惹火補(bǔ)習(xí)班"
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激情邀約
塞斯·羅根,奧利維亞·王爾德,愛(ài)德華·諾頓,佩內(nèi)洛普·克魯茲,馬里奧·瓦爾迪茲,斯基普·豪蘭德,Rachel Thurow,Mel Powell屌絲騎士
中村倫也,遠(yuǎn)藤新菜,柾木玲彌,柳英里紗,アレクサンダー大塚帥哥們
李星民,李熙俊,孔升延,樸智煥,李奎炯,張東柱,姜基棟,金度勛,賓燦旭,樸正花,樸慶惠,李書煥,宋宥弦,禹賢,林元熙,Jamie Horan好孕上錯(cuò)門
Mira Bartuschek,Julia Becker,佩嘉·費(fèi)多尼,貝蒂娜·齊默爾曼,克里斯托弗·M·歐赫特,Kai Schumann,Lara Mandoki,Marc Ben Puch,Arnel Taci,約書亞·格羅斯,Leonard Rosik,Vinzenz Wagner旅途中的日子
沈恩敬,堤真一,河合優(yōu)實(shí),高田萬(wàn)作,佐野史郎,齊藤陽(yáng)一郎,松浦慎一郎,足立智充,梅舟惟永,柴田貴哉,中村祐太郎,貝拉·梅沉睡魔咒2
安吉麗娜·朱莉,艾麗·范寧,米歇爾·菲佛,薩姆·賴?yán)?哈里斯·迪金森,艾德·斯克林,切瓦特·埃加福,朱諾·坦普爾,艾美達(dá)·斯丹頓,加繪·亞歷山大,萊絲利·曼維爾,弗萊迪·懷斯,詹·穆瑞,石原貴雅,大衛(wèi)·吉亞西,羅伯特·林德森,朱迪斯·沙克妮,伯納多·桑托斯,薩克·霍蘭,巴里·艾爾德,耶斯·利奧丹,拉塞爾·巴洛格,拉亞·坎普貝爾,斯嘉麗·格蘭特,湯姆·伯寧頓,阿克塞爾·努,特蕾莎·馬奧尼,約翰·卡魯人氣佳作
加齊號(hào)的攻擊
拉納·達(dá)格巴提,凱·凱·門農(nóng),阿圖爾·庫(kù)爾卡尼犯罪大師
克里斯汀·韋格,凱特·麥克金農(nóng),扎克·加利凡納基斯,杰森·蘇戴奇斯,歐文·威爾遜,戴文·雷特瑞,瑪麗·伊麗莎白·埃利斯,肯·馬里諾,羅達(dá)·格里菲絲,萊斯莉·瓊斯,喬恩·戴利,吉爾·簡(jiǎn)·克萊門茨,丹尼爾·扎卡帕,馬特·科博伊,坎迪斯·布蘭查德藍(lán)調(diào)之歌
休·杰克曼,凱特·哈德森,邁克爾·因佩里奧利,費(fèi)舍·史蒂芬斯,詹姆斯·貝魯什,艾拉·安德森,金·普安公主,穆斯塔法·沙基爾,Bob Roseman,杰森·華納·史密斯,羅伯特·約翰·加拉格爾,Eva Kaminsky,Beth Malone,馬特·戈?duì)査够?Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鮑里斯·倫敦,Johnny Olmez,Faye Tamasa最后的KPI
帕拉帕蒙通·伊埃猜,帕奧佩茨·查倫舒克,查納坎·拉塔納烏東,萍瑪達(dá)·柴莎索恩,黛莉娜·班楚導(dǎo)演精選
我所有的朋友都死了
在一群朋友的除夕晚會(huì)上,一系列瘋狂的活動(dòng)揭露了秘密,傷心了,并導(dǎo)致了令人震驚的結(jié)局。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
附身
1985年,濃霧籠罩的郊外,周日早晨少女麗莎·約翰遜(阿比蓋爾·布蕾斯琳 Abigail Breslin 飾)被弟弟羅比(Peter DaCunha 飾)吵醒。她頗感煩惱地起床,按照媽媽(米歇爾·諾爾頓 Michelle Nolden 飾)的指示洗衣服,爸爸布魯斯(彼德·奧德博拉治 Peter Outerbridge 飾)則在地下室修著汽車。看似平凡無(wú)奇的普通人家,卻彌漫著詭異神秘的氣息。不知曾幾何時(shí),麗莎發(fā)現(xiàn)每天重復(fù)著同樣的內(nèi)容,家人反復(fù)干著同樣的事、說(shuō)著同樣的話、度過(guò)同一個(gè)濃霧籠罩的周末。她嘗試改變這一切,然而無(wú)從下手,此外更有帶著死神氣息的男子警告麗莎不要破壞當(dāng)前的一切。無(wú)法忍受折磨的麗莎,不可避免落入過(guò)去、現(xiàn)在和未來(lái)的夾縫中,局勢(shì)完全失控……