いけない願望(本編未公開映像) 吉野七寶実

評分:3.2 播放:36萬 更新:2026-06-17
主演: 未知/

艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan

影片推薦

同類精選

影視排行

一個女演員的夢

左翎,馬曉偉,林芳兵,洪宇宙,楊寶河,廖丙炎,趙健文,石敬,楊德智,賈盛云,孫其昌,崔超明,李檀,張曉敏,吳燕,朱曉鳴

 劇組的道具槍射出了真子彈,女演員葉蕙(林芳兵 飾)命喪攝影棚。刑警詹德昌(楊寶河 飾)、李志勇(趙建文 飾)對涉槍人員展開調查。通過了解發現,葉蕙與他人存在三角戀愛關系。曾和葉談過戀愛的沙曉舟(馬曉偉 飾)差點被人毒死,在病房中,他向詹德昌道出原委:在香港的父親沙丘仁(崔超明 飾)自知不久于人世,曾來信讓他繼承遺產,他心存矛盾。正與其熱戀的葉蕙則慫恿他一定別錯過機會,并背著他邀未來的公公和大哥沙之星(洪宇宙 飾)回內地見面。意外的見面使愛慕虛榮的葉蕙投向沙之星的懷抱。詹德昌并沒有輕信沙曉舟的一面之詞,他把懷疑的目光投向了道具員張小勃(朱曉鳴飾)......

熱血敢死隊

隋存毅,李恰,李博,呂九億,呂晨,王錦,劉小賓,楊明,馮奕鳴

  1936年冬,抗聯戰士劉文澤等人于林海雪原伏擊日軍,欲奪回被竊國寶,卻發現是贗品。他們與渡邊一郎部周旋,多名戰友犧牲,后在情報員老吳、僧人觀空協助下找到地宮。最終眾人與日軍激戰殉國,而他們用生命守護的國寶,50年后在般若寺遺址重現。

三度空間

楊若兮,黃格選,馬強

 中文名三度空間出品時間2004年出品公司北京森威影視制作有限責任公司制片地區中國拍攝地點中國導    演軒南主    演楊若兮,黃格選,馬強女記者小葉活潑開朗,和男友感情融洽,在工作上積極主動深受報社主編的認可和同事的喜愛。一天,小葉忽然收到一封自稱來自地獄的信件,寫信的人是看到了小葉在報刊上發表的一篇希望和所有讀者做朋友的報道之后決定和她聯系的。憑借記者的敏感,小葉感覺到這個人字里行間滲透著對生活的絕望,于是她決定和寫信的人面談。小葉見到了這個叫陳偉航的人,交談中得知他年少不更事時被他人利用,慌亂中開槍殺人,從此漂泊在外多年。盡管小葉對陳偉航心中不免有些害怕,但還是對他的身世和經歷非常同情,希望通過自己的努力讓陳偉航懸崖勒馬。小葉聯系到公安機關的干警,深入了解行事案件的量刑制度,并不停規勸陳偉航到公安機關投案自首。陳偉航的內心多年來一直為當初的舉動后悔自責,長期的逃逸、居無定所已讓他備受煎熬身心疲憊。小葉的話讓陳偉航脆弱絕望的內心開始看到一線希望,他對小葉的信任和良知讓他最終選擇了正確的道路。陳偉航投案自首,盡管他和小葉從此身處大墻內外,但小葉經常會到獄中探望他,陳偉航對小葉這樣的朋友感激之情溢于言表,唯有衷心的祝福和努力的改造才是對朋友最好的回報。相關新聞:《三度空間》在造型上也要“避俗”。片中以記者身份出現的楊若兮一改往日的清純形象,將以前衛、潮流的感覺示人。服裝造型上也尋求著新的突破,避免俗套,整部電影完全成為了楊若兮個人的時裝秀。其實,導演軒南也是《三度空間》的一個別樣風景。作為處女作,導演軒南要求此片在各方面都要完美。見誰跟誰聊幾句幾乎就成了導演茶余飯后的習慣,在跟楊若兮和其他演員聊到高興時更是一發不可收拾,比如,他在演員試服裝時跟楊若兮說:“你已經給了我很多靈感了!希望我們能再擦出一些火花,就再好不過了!”說完便興奮地走了。本片是電視劇導演軒南的電影處女作,由楊若兮、馬強領銜主演,歌手黃格選、老演員文興宇在片中分別飾演楊若兮的男友和報社主編,劉威和李丁也在本片中客串了角色。本片雖不能算是懸疑片,但某些部分在鏡頭的運用和光效音響的處理上也頗有一些驚悚的感覺。更加值得一提的是,這樣一部運用好萊塢似的運動鏡頭和極富戲劇性的快節奏畫面剪輯影片只用了11天便拍攝完成,包括后期制作在內總共花費一個多月時間,可謂刷新了內地電影導演拍片速度的新記錄。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.