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追遠尋根
Clare Monnelly,布里·尼·內奇廷,亞歷山德拉·比斯特日茨卡婭,Clare Barrett,夏洛特·布拉德利,塔拉·布雷思納克,格蕾絲·科倫德,Peadar Cox,Jim Cunningham,多蘿西·達菲,Marcus Lamb,邁克爾·奧·萊恩,Oisín ó Maoileoin,Liv O'Donoghue,奧爾加·韋爾利黑暗收割
卡塞伊·萊克斯,艾默莉·克魯奇菲爾德,Dustin Ceithamer,亞歷杭德羅·阿卡拉,以斯拉·巴茲頓,杰瑞米·戴維斯,伊莉莎白·里瑟,盧克·柯比,Austin Autry,梅根·貝斯特,杰克·布雷楠,布里坦·道爾頓,史蒂文·麥卡錫,Maclean Fish,納扎利·德姆克維奇,West Mulholland,Carter Heintz,Logan Tomanek,Dylan McEwan,Ryder Dueck蠟筆小新：灼熱的春日部舞者們
小林由美子,楢橋美紀,森川智之,興梠里美,真柴摩利,林玉緒,一龍齋貞友,山寺宏一,瀨戶麻沙美,速水獎,賀來賢人,日高范子,寶龜克壽,坂本千夏,小峠英二,西村瑞樹祝你好運2024
亞歷山德拉·達達里奧,柯瑞·福格爾瑪尼斯,邁爾斯·古鐵雷斯-賴利,科爾·斯普羅斯,莉娜·鄧納姆,艾米·蘭德克,萊克西·安德伍德,麗莎·山田,賈德森·米爾斯,布萊恩·邁克爾·史密斯禍禍女
南沙良,前田旺志郎,山田葵 ,高石明里,九條ジョー,鈴木福,前原瑞樹,平田敦子,平原哲,齋藤工,田中麗奈自拍復印機
Shenina Cinnamon,奇科·庫爾尼亞萬,Lutesha,杰羅姆·庫尼亞,迪婭·潘德拉,Giulio Parengkuan,Mian Tiara,魯思·馬里尼,盧克曼·薩爾迪,Rukman Rosadi,Landung Simatupang,雅彥·魯伊安,Elisabeth Pasaribu,Budi Ros,東尼·達瑪拉同類推薦
厭女癥
中原翔子,河野知美,橫井翔二郎,淺田麻衣,內田周作,羽柴有吾,根津麻里亜,大橋將太郎,古山憲太郎本作は不気味な洋館を舞臺に、呪われた事件にまつわる物語を演じる2人の女優を軸にしたホラー。女優で劇作家のナオミは一夏借りた山荘で、かつて自分の夫を略奪した女優ミズキを呼び寄せ、芝居の稽古を始める。題材となるのは、ある謎めいた母親殺しの事件だった。ミズキは母親を殺した娘の役を演じるにつれて、事件が起きた場所はこの屋敷ではないかと疑い始める。
百夜樓
范明,王珞嘉,魏曉璇,樓南光,九孔民國年間，馬文才、張小猴師徒混跡南方做一些冒充高人的騙人勾當，意外卷入一場兇殺案，被誤當做殺人兇手。為解除嫌疑二人不得不留在此地揪出真兇。接二連三的怪事兒似乎證實了之前不詳的傳聞，張小猴發現近日的種種遭遇竟和一個困擾自己多年的夢境有關。
魚女的望想世界
Jessica Barahona,Pablo Aguirre Andrade,Alejandro Bernal卡米拉患有健忘癥，空虛感取而代之的是一個奇妙的世界，一條大魚是她的守護者。當她愛的男孩消失時，她必須找到他，面對隱藏著非凡的模糊過去。
有情感的機器人
巴萊特·奧利佛,瑪麗·貝絲·赫特,邁克爾·麥基恩,Kathryn Walker一名叫達爾的走失男孩被小鎮人們發現，由于沒人認領，他被帶到福利院。經過檢查，醫生發現他身體各項機能正常，而且智商很高，只是失去了一部分的記憶?！ ∵_爾被安排暫時居住在安迪家。安迪和妻子喬依斯一直希望能夠領養一個孩子，達爾的到來令他們異常興奮。在相處的過程中，達爾和鄰居家的小男孩特塔成為了非常要好的朋友，他們一起上學、一起玩耍、一起為安迪的棒球隊贏得了勝利，大家都覺得達爾是個非常聰明而且惹人喜愛的男孩?！ 『鋈挥幸惶?，兩個自稱是達爾父母的人來接走了達爾，這令安迪全家和特塔非常傷心。達爾也對他們產生了深厚的感情，戀戀不舍地離開了安迪家。 事實上達爾是一個在大腦中被植入芯片的機器人，但他現在具備了一個正常孩子的一切生理機能。來接他的也并非他的父母，而是制造他的博士。博士被達爾和安迪他們的深厚情感所感動，他希望達爾能像正常孩子一樣生活，但國家的高級官員卻要求摧毀達爾。博士在同事的配合下，將達爾帶出試驗基地，遭到警察的追擊，途中博士為了掩護達爾中彈身亡。 達爾潛入空軍基地，開著戰斗機向安迪家的方向飛去?？哲娀氐孛孢b控飛機在飛行過程中自動摧毀，達爾彈出飛機，降落在安迪家旁邊的湖中。達爾終于回到了屬于他的“家”中。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.