美人圖：私情畫欲
《美人圖》說的是朝鮮史上有名的女扮男裝天才畫家申潤福的故事。申潤福（金敏善 飾）的父親將家族的興旺寄予這個可憐的女孩，隱藏其女兒身，改以男兒身打扮亮相，跟隨著當地有的畫家金洪道（金英浩 飾）學習，苦學畫技，以賣畫給地主們維持生計。性格粗野的姜武（金南吉 飾）是市井青銅鏡商人，一次偶然中發現了申潤福的女人身份，與她相愛，并使潤福認識到身為女人如命運般的愛情。但申潤福的老師金洪道與徒弟之間也有一種奇妙的感情，他不容許潤福背叛自己，千方百計阻止潤福和姜武。而名妓雪花（秋瓷炫 飾）則深愛著金洪道。四個人將會走向何處？申潤福和姜武能守護住自己的愛情嗎？申潤福的女子身份會被揭露嗎？最終她是否能改變自己的一生，成為朝鮮知名畫家？
即刻觀影
劇情賞析
編輯推薦
同事以上，戀人未滿
詹妮弗·洛佩茲,布雷特·戈德斯坦,貝蒂·吉爾平,艾米·塞德麗絲,托尼·海爾,布萊德利·惠特福德,愛德華·詹姆斯·奧莫斯,麗薩·吉洛伊,格雷迪·埃爾德里奇,杰姬·桑德勒,托尼·普拉納,里克·霍夫曼,威爾·薩索,朱迪·惠特克,米歇爾·赫德洛佩茲飾演的航空公司CEO和戈德斯坦飾演的律師因職業合作的契機發展出了戀愛，而如果兩人從心出發、不循規蹈矩，他們的工作可能被毀掉，要何去何從？
超越鼓丘
邁克爾·科瓦爾斯基,Morgan DeTogne,Daniel Titmuss,Emma Jessop樹葉已經開始變了，但喬納森·魯斯特教授對即將到來的學期仍然準備不足。本周末，他正在為考古系的野外工作課程尋找合適的地點。在同行學者和雇工的幫助下，該團隊在拂曉時分出發。這次旅行為喬納森提供了一個難得的機會，讓他親自動手，成功可能意味著出版，也可能意味著終身教職。當一名助教神秘失蹤時，探險隊很快就脫軌了。很快，這群人發現自己處于現實和來世的交匯處，陷入了令人難忘的瘋狂之中。
野狼防衛戰
維林斯·豪塞爾,博·霍普金斯,喬治·肯尼迪,金伯莉·貝克,布里翁·詹姆斯科學家們在一個小鎮的供水系統中下毒，把居民變成殺人狂魔，他們互相殘殺，任何人都能通過。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
利摩日陽臺
安妮·莉絲·海姆伯格,法比恩·巴布,安東尼·巴滕迪爾,羅倫納·席琳,?帕特里斯·加萊特,杰羅姆·普利,埃米利安·泰瑟格拉迪絲是一位五十多歲的女性，生活在社會的邊緣，沒有住所、沒有醫保卡、沒有銀行賬戶。對她來說，一切都無關緊要，甚至對于性、酒精或跳舞的享受也都不重要。一天早上，她偶然遇到了尤金妮，一位高中時的朋友。尤金妮試圖違背她的意愿去幫助她。
情婦
約翰·馬加羅,琪森·哈蒙,艾莉亞·馬佐爾夫Newlyweds move into their dream home where they discover a collection of 100-year-old letters from a young woman who committed suicide after being abandoned by the owner of the home.