即刻觀影
劇情賞析
編輯推薦
利卡多·克維多：明天會(huì)更糟
Ricardo Quevedo從疫情間的行車(chē)糾紛到情侶吵架，喜劇演員利卡多·克維多檢視那些考驗(yàn)我們耐心的荒謬狀況。
暗黑子午線
比利·斯洛特,戴夫·戴維斯,詹姆斯·摩西·布萊克一名腐敗的新奧爾良偵探在放風(fēng)時(shí)陷入兩個(gè)犯罪團(tuán)伙之間的戰(zhàn)斗中。為了在夜晚生存下來(lái)，他必須找到一名殺手，并在兇手到達(dá)其他目標(biāo)之前將他帶走
（情歌）
森崎溫,向井康二,及川光博,藤原大祐,齊藤京子,逢見(jiàn)亮太,筒井真理子,皮拉維·塔奇沙鵬,查隆拉·諾山榮,普雷瓦·蘇坦蓬被突然的任命令從東京派遣到海外工作的研究員·想太（森崎溫 飾），在曼谷與學(xué)生時(shí)代一直暗戀的凱（向井康二 飾）再會(huì)。看到在泰國(guó)作為攝影師兼音樂(lè)人活躍的凱的身影，內(nèi)心產(chǎn)生了動(dòng)搖。另一方面，小凱也對(duì)學(xué)生時(shí)代唱過(guò)的“未完成的歌”感到驚訝。將兩人聯(lián)系在一起的歌聲再次在心中響起……
想成為奧田民生的男孩和讓男人癡狂的女孩
妻夫木聰,水原希子,新井浩文,安藤櫻,天海祐希,中川雅也,松尾鈴木,江口德子將奧田民生視為人生第一大偶像的小高（妻夫木聰 飾）進(jìn)入了一家時(shí)尚雜志社成為了那里的編輯，在一次工作中，小高結(jié)識(shí)了名為明里（水原希子 飾）的女孩，可愛(ài)活潑的明里很快就奪走了小高的心。終于，無(wú)法抑制內(nèi)心里的愛(ài)意，小高對(duì)明里表白了，讓小高不敢相信的是，明里接受了小高的告白，成為了小高的女朋友。 夢(mèng)幻般的日子就這樣開(kāi)始了，小高整日沉浸在戀愛(ài)的甜蜜之中，完全沒(méi)有發(fā)現(xiàn)同僚吉住（新井浩文 飾）日漸陰沉的臉。原來(lái)，明里曾是吉住的戀人，盡管兩人已經(jīng)分手，但吉住卻始終不愿意放下這段感情。明里的忽冷忽熱陰晴不定讓小高難以招架，不僅如此，小高還發(fā)現(xiàn)，除了他和吉住外，明里似乎還有著第三個(gè)情人。
嘻嘻嘻嘻吸血鬼2025
吉澤亮,板垣李光人,原菜乃華,關(guān)口曼迪,滿島真之介,真榮田鄉(xiāng)敦影片改編自同名漫畫(huà)，故事以住在澡堂打工的吸血鬼·森蘭丸（吉澤亮 飾）和天真無(wú)邪的少年·立野李仁（板垣李光人 飾）為中心展開(kāi)。蘭丸追求極致的味道“18歲處男的血液”，目睹了澡堂的獨(dú)子李仁的成長(zhǎng)和純潔。然而有一天，李仁對(duì)同學(xué)篠冢葵（原菜乃華 飾）一見(jiàn)鐘情。于是蘭丸的必死“阻止童貞喪失作戰(zhàn)”拉開(kāi)帷幕。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.