漂亮人妻帶給你粉紅色的幸福回憶

★ 5.3 播放：73萬 更新：2026-06-20
主演： 未知/

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導演精選

末日逃生2：遷移

　　由于宇宙中的兩顆彗星正面撞擊了地球，致使地表生態遭遇毀滅性打擊，造成惡劣后果。全人類不得不躲藏在地堡中求得生存。身為科學家的加里蒂帶著一家人劫后余生，幸存了下來。雖然他們躲過了第一波的沖擊，但是他們所在的地堡中剩余的生活物資逐漸減少，其他幸存的人類也開始蠢蠢欲動。迫于壓力這一家人必須離開格陵蘭島的安全掩體，開始踏上危險的旅程。在這一路上他們無奈的發現，整個歐洲已經被毀滅，變成了冰凍荒地。于是一家人只能再次被迫上路，最終，他們找到了新的棲身之所。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

恐影檔案

　　A doctor works to cure patients suffering from crippling phobias by placing them inside his invention which induces and controls hallucinations.