　　韋恩（麥克?梅爾斯 Mike Myers 飾）與好友加思（達納?卡維 Dana Carvey 飾）定期在地下室里和朋友們制作一檔展示各種驚奇發(fā)明的節(jié)目“韋恩的世界”，節(jié)目風格怪誕風趣，令他們在當?shù)啬贻p人之中頗受歡迎。電視制片兼導(dǎo)演本杰明偶然看到了一期韋恩展示吸塵器理發(fā)的節(jié)目，認為這對兒組合會頗具收視市場，隨即開始運作使韋恩、加思登上大銀屏。與此同時，韋恩在一次演出中偶遇生于九龍的女歌手卡珊德拉，并為其深深著迷。韋恩與加思的組合順利簽約本杰明，但是合同的約束很快令二人反感，投資方老板的出鏡更是讓韋恩無法忍受，另一方面，卡珊德拉卻為本杰明提供的表演機會而躍躍欲試，與韋恩的關(guān)系眼看難以維系……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

摘蘋果的時候

鄭英姬

　　十多年前，朝鮮人民的偉大領(lǐng)袖金日成冒雨視察北青以后，立即召開北青擴大會議，親自制定了全國山區(qū)變成豐碩果園的宏偉方案。以貞玉為代表的石花農(nóng)場的年輕姑娘們，遵照金日成同志的指示，敢于革命，勇于實踐，克服保守自滿和落后意識，經(jīng)反復(fù)實踐，試制成功蘋果醬，取得了思想與生產(chǎn)雙豐收。

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