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劇情提要
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan
暗夜精選
情棺
劉尚麟我是臥底2026
鄒兆龍,于榮光,李彥奎,王韜,文東俊,張沙沙,王鉑清桑格豪森的渴望
克拉拉·施溫寧,馬瑞爾·凱沙瓦茨,亨麗埃特·肯夫里烏斯,若阿內斯·貝爾茨,安德里亞斯·比特爾,安德烈亞斯·德勒,梅拉·芬克,帕特里克·弗蘭扎克,蘇珊·弗洛莫,杰里米·加利亞納,安東·戈諾波爾斯基,萊昂尼·哈莫,邁克爾·哈斯通,瑪琳·豪瑟,弗蘭基斯卡·海納爾,霍斯特·海尼,克里斯托弗·卡尼,阿里桑德拉·納普,布索里·列,李景澤莫德羅監獄1977
米蓋爾·赫爾南,哈維爾·古鐵雷斯,赫蘇斯·卡羅薩,Catalina Sopelana,費爾南多·特赫羅,哈維·薩茲,Víctor Castilla,Alfonso Lara,I?igo de la Iglesia,伊尼戈·阿蘭布魯,Javier Lago,哈維爾·貝爾特蘭,Aimar Vega,Julián Valcárcel,Nacho Marraco奪寶生死戰
Grant Show,Vivian Wu,Steve Bacic旁觀者2025
陳坤,王硯輝,劉敏濤,容中爾甲,安澤豪,陳依莎,單禹豪,王勁松,陸玲,王雯那,姜穎函黑暗殺機
亞歷山大·斯卡斯加德,麗莉·吉歐,詹姆斯·戴爾,杰弗里·懷特,梅肯·布萊爾,喬納森·懷特賽爾,詹姆斯·布魯爾,埃里克·李塞德,朱利安·布萊克·安蒂洛普,安娜貝爾·庫帖,巴布·米切爾同系列推薦
預見者
Michael Piccirilli, Pamelyn Chee, Anthony Bishop神犬查利
次世代機動警察:首都決戰
真野惠里菜,福士誠治,筧利夫,太田莉菜,千葉繁猛虎末路
勞倫斯·魯波,大衛·舒特,塞巴斯蒂安·烏澤多夫斯基,安德烈·赫尼克,阿爾恩特·施韋林·索瑞,倫納德·昆茲,Tilman Strauss,Yoran Leicher平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina第六日
阿諾·施瓦辛格,邁克爾·拉帕波特,托尼·戈德溫,邁克爾·魯克,莎拉·溫特,羅伯特·杜瓦爾幕后花絮
蜂蜜的針
性格孤僻的農科院研究員支寧(袁泉 飾),在愛情里四處碰壁。在一次文學講座上,她對作家寇逸(耿樂 飾)一見鐘情,從此陷入偏執愛情的她開始悄悄跟在寇逸身后……在偶然的契機下,支寧應寇逸之邀加入一場旅行。本以為是靠近心意的“愛情”之旅,卻沒料到途中變故接踵而至,逐漸成為了一場亡命之行。蹊蹺的命案接連發生,所有人和事都在朝著完全失控的方向狂奔…… 以愛之名的潘多拉魔盒已然開啟,當愛意被執念裹挾,人究竟會為了守住所謂的“愛”,突破多少不可逾越的邊界?
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster