影片推薦
伊凡雷帝
尼古拉·切爾卡索夫,Lyudmila Tselikovskaya,Serafima Birman,米哈伊爾·納茲瓦諾夫,米哈伊爾·扎羅夫,Amvrosi Buchma,米哈伊爾·庫茲涅佐夫,帕維爾·卡道奇尼科夫,安德烈·阿布里科索夫,Maksim Mikhajlov,弗拉基米爾·巴拉瑟夫,弗謝沃羅德·普多夫金,謝苗·鐵木辛哥,Aleksandr Rumnyov新宿事件
成龍,竹中直人,吳彥祖,徐靜蕾,范冰冰,加藤雅也,高捷,秦沛,林雪,倉田保昭,錢嘉樂,峰岸徹,姜麗文索維托愛情故事
Lunga Shabalala,Duduzile Ngcobo,Sparky Xulu,Ray Neo Buso,Motsoaledi Setumo兇地
平采娜·樂維瑟派布恩,Golf Pichaya Nitipaisalkul,Ivrin Osathanond,Manatsanun Phanlerdwongsakul,尼克.坤納提帕.平帕拉達布,Pharanyu Rojanawuthitham,巴東·頌桑,坦瓦林·蘇卡皮西特,Chaiwat Thongsaeng,查理·瑞納超級少女2026
米莉·阿爾柯克,伊芙·雷德利,杰森·莫瑪,馬提亞斯·修奈爾,大衛·科倫斯韋,大衛·克朗姆霍茨,艾米麗·比查姆,迪爾梅德·默塔,費迪南德·金斯利,艾米莉·皮格福德,伊莫金·特納,克拉拉·羅薩杰,愛麗絲·休金,希瑟·阿吉耶蓬,納奧米·維爾特納,阿莎·索坦,里奧·比爾,基莉·福賽思,威爾·柯班,查理·羅爾斯海盜1984
簡·伯金,瑪魯施卡·迪特馬斯,Philippe Léotard同類精選
綁架
保羅·皮耶羅邦,福斯托·魯索·阿萊西,芭芭拉·朗奇,Enea Sala,萊昂納多·馬爾特斯,菲利波·蒂米,法布里齊奧·吉福尼,Andrea Gherpelli,Samuele Teneggi,科拉多·因韋爾尼齊,Aurora Camatti,保羅·卡拉布雷西,布魯諾·卡里諾,Renato Sarti,Fabrizio Contri,費德里卡·弗拉卡西,查士丁尼·阿爾皮,亞歷山德羅·班迪尼,James Basham,Leonardo Bianconi哈佛少女的快樂清單
蓓爾·波利,內森·連恩,加布里埃爾·伯恩,瓦妮莎·貝爾,科林·奧多霍諾,杰森·雷特,威廉·莫斯里,戴斯敏·博格斯,普娜·賈甘納坦,扎卡里·因凡特,安迪·布斯蒂羅斯,瑪哈蕾·赫沙姆,喬爾·邁克利,斯科特·啟治·武田,科妮莉亞·格斯特騙術奇譚
甄珍,謝賢,胡錦瘋狂的八人幫
迪娜·邁耶,喬治·紐伯恩,奇希·勞爾茲,Dan DeLuca,弗蘭克·威利極寒之城2023
夏雨,李立群,譚凱,張國柱,張奕聰,金士杰,楊皓宇,王可如,馮嘉怡,那志東,小么哥,焦剛,張帆,胡明,白紅標,高捷,羅京民神槍手與智多星
吳鎮宇,黃秋生,方力申,曾志偉,唐嫣,吳慶哲,劉洋影視排行
危情蜻蜓
安德麗婭·賴斯伯勒,布蘭達·布萊斯,杰森·沃特金斯出于對年邁鄰居艾爾西(布蘭達·布萊斯飾)所獲照料狀況的厭惡,科琳(安德麗亞·瑞斯波羅格飾)主動提出免費提供幫助。在茶敘與艱難時刻中,盡管存在差異,兩人成為了彼此信賴的知己。但科琳的意圖可能并非表面所見。隨著疑云漸起,一項駭人舉動觸發了一場暴力的連鎖反應,勢將無可挽回地改變這兩位女性的生活。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
全城風暴
曾志偉,吳建飛,王崳電影講述了一場已經預測到的臺風即將來襲,主角一家固執的父親、忙碌的兒子和叛逆的女兒越過整個風暴城市,潛入實驗室聯手解決風暴危機,拯救全城生命的故事。
青空在上,身在山谷
Michal Zachensky,Eva Mores,Jana Olhová,Adam Suniar,Attila Mokos本片是斯洛伐克導演卡塔琳娜·格拉瑪托娃的長片首作,帶有半自傳色彩。15歲的少年埃諾和祖母在烏特奇卡的村子里過暑假,他喜歡摩托,無心學業,每天和村子里的男孩們混在一起。埃諾十分崇拜在外工作的母親,內心希望能和她一起生活,但隨著村子里流言四起,埃諾漸漸發現,母親并不如想象中那樣善良,而成長也總是伴隨著痛苦和掙扎。