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在戰火紛飛的中世紀王國中,手握利劍的斯嘉麗公主為替父報仇毅然踏上征途,卻以失敗收場。當她再次醒來時,發現自己身處神秘的“死者之國”。在那里,她邂逅了一位來自現代的理想主義青年;他的善意與慈悲,動搖了她心中根深蒂固的仇恨。當殺父仇敵再度現身,斯嘉麗必須做出抉擇:是繼續執念于復仇,還是尋找到仇恨之外的人生意義。
瑪吉驚訝地發現一名自稱已與丈夫艾倫結婚的女子。起初是對手,但他們很快就發現了圍繞艾倫和他之前欺騙的許多妻子的謊言網。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
阿爾菲(邁克爾?凱恩 Michael Caine 飾)生活在繁華的大都市倫敦,平日里最大的愛好便是出沒于燈紅酒綠的聲色犬馬之場所。阿爾菲自認為是當代唐璜,流連于不同女人的溫香軟玉的懷抱之中,私生活十分混亂。 無論是未經人事的清純少女還是已有家室的成熟人妻,阿爾菲都會散發他強烈的男性魅力,將對方征服。就連在染病住院期間,阿爾菲都沒有放過和性感美艷的小護士共赴云雨的機會。某一日,阿爾菲邂逅了美麗的寡婦盧比(謝利?溫特斯 Shelley Winters 飾),讓前者沒有想到的是,自己的撩妹之術在盧比那里竟然全無作用。不僅如此,曾經對他趨之若鶩的女人們也都漸漸地離開了他。