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地下世界
喬治·班克羅夫特,艾弗琳·布倫特,克里夫·布洛克,弗萊德·科勒,海倫·林奇,拉里·塞蒙,Jerry Mandy,Alfred Allen,Shep Houghton,Andy MacLennan,Julian Rivero依據1922年的兇殺案改編，描寫販賣私酒的匪幫和警方角力的故事。影史第一次以盜匪當主角，運用背面打光和煙霧，頗具藝術風格，廣受歡迎，也預示40年代黑色電影的來臨。
局外人2025
本杰明·瓦贊,皮埃爾·洛廷,斯萬·阿勞德,德尼·拉旺,麗貝卡·馬德,本杰明·希克戈爾,讓-本篤·尤格斯,讓-查理·克里切特1930年代的阿爾及利亞，冷漠的法國人默爾索對生命徹底漠然。他的情感疏離最終導致一場謀殺，隨后的審判不僅審視罪行，更拷問其靈魂。改編自加繆小說《局外人》。
我是山姆
西恩·潘,達科塔·范寧,米歇爾·菲佛,黛安·韋斯特,洛雷塔·迪瓦恩,理查德·希夫,勞拉·鄧恩在星巴克工作的山姆（西恩?潘 Sean Penn 飾），雖已成人，但智力水平只有7歲。一次偶然，他收留了一個流浪女。該女子幫山姆生下了一個女兒后消失得無影無蹤。他給女兒取名叫露西（達科塔?范寧 Dakota Fanning 飾），因為他最喜歡甲殼蟲樂隊的《天空中戴鉆石 的露西》。他非常疼愛自己的孩子。露西在山姆的細心呵護下慢慢地長大了，她發現爸爸不能看懂稍微復雜一些的故事。她在拒絕長大，希望和爸爸一樣。父女倆的生活是那么幸福。地區的教育官員發現了這個特殊的家庭，他們認為山姆沒有能力照顧露西，于是把露西帶走了。傷心極了的山姆一心要掙回露西的撫養權，于是他自以為是的去找該地區最好的律師……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
搖滾萬萬歲
羅伯·萊納,邁克爾·麥基恩,克里斯托弗·格斯特,哈里·謝爾,布魯諾·柯比,小艾德·博格里,比利·克里斯托,安杰麗卡·休斯頓,佛萊德·威拉特1982年，英國傳奇重金屬樂隊Spinal Tap搖滾樂團紅極一時。電影導演馬蒂（羅伯·萊納 Rob Reiner 飾）是Spinal Tap樂團的一位忠實粉絲。Spinal Tap樂團要來美國舉行一次復出巡演，馬蒂則為Spinal Tap樂團拍攝隨行紀錄片。本部仿紀錄片刻意杜撰出一個英國搖滾樂團Spinal Tap，活靈活現的刻畫出了搖滾樂團臺上臺下表里不一的嘴臉，對當代搖滾樂做出了尖銳的諷刺和嘲諷。 本片由羅伯·萊納自編自導自演之作。影片中的電影音樂均由演員們親自演奏創作而成。