劇情縱覽
在免費擁抱了街上遇到的純一并去了一家甜點咖啡館后，尤娜得到了他提供的一份模特工作，并跟隨他進入一家酒店嘗試。穿著情色衣服被要求拍攝幾乎看不見的照片的尤奈，認為這只是一個簡單的兼職工作，但純一，一個因為內衣暴露而無法抑制興奮的男人從后面走了過來。擁抱尤娜。當情況變得更糟時，她感到尷尬，試圖讓他冷靜下來，但這已經不足以阻止他，最終她與他發生了性關系
在線暢看
臻選佳作
不留活口
楊子驊,洪洋,杜玉明,邵帥,李琦,王幸子,李明,陳劍,張露,宋成森,李浩軒
民國初年，武陵山匪患橫行，少年老幺因“白虎隊”土匪與線人告密而家破人亡，被迫從軍十載。他攜恨歸來，精心設局，以交易為名將仇敵誘入絕境，終用一場烈焰將仇敵焚滅，得報血海深仇。當陽光重照家族酒坊，往昔深淵如昨，唯酒香與人心未涼。
北京猿人
緒形直人,王祖賢,哀川翔,丹波哲郎,坂上忍,小野賢章
侵華戰爭時期，日本人將掠得的北京猿人頭骨偷運回國，途中沉沒，成為一樁疑案。當年日本人將頭骨化石偷運回國，隱藏幾十年后，在和平環境下重新進行研究。他們將頭骨化石中的DNA殘片提取出來，進行培育，然后送入太空，據說這樣便可以憑借太空中的粒子幅射，使其蘊育成熟。不料，載著北京猿人胚胎的飛船失事，墜入海島，而北京猿人卻成功地誕生了。 而王祖賢扮演的中國美麗女間諜的使命就是將北京猿人偷運回國，從此便和日本科學家展開了明爭暗斗。最后，雙方不分輸贏，而是達成了共識：北京猿人不是任何一國的財富，他們屬于大自然。于是，猿人一家三口和一只同樣由基因技術復制出來的猛瑪象被放歸了自然。
天使航班電影版
米倉涼子,松本穗香,城田優,矢本悠馬,野呂佳代,向井理,遠藤憲一
本片劇情依然圍繞遺體送還公司“天使之心”展開。社長伊澤那美得知8年前身亡的戀人或許仍在世而心神動搖。萬圣節期間，公司成員奔赴世界各地處理送還事務：有人面對因嬰兒猝死而自責的母親，有人護送突然離世的明星回國，也有人送別在旅途中去世的青年。那美在墨西哥執行任務時，一邊處理逝者身后事，一邊被舊日戀情的線索牽動，在生死與思念交織中重新審視自己的內心。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster