即刻觀影
劇情賞析
編輯推薦
地獄迪斯科
Soni Bringas,Stephen Ruffin,海倫妮·尤迪一對年輕夫婦準(zhǔn)備燒毀洛杉磯最熱門迪廳的舞池，結(jié)果召喚出一股渴望未出世嬰兒的黑暗力量
熊出沒·年年有熊
張秉君,張偉,譚笑熊大曾是森林里的“老大哥”，直到一個不速之客到來，它將自己神力傳給了熊強，熊大變成了三人組合內(nèi)能力最弱者。為了改變現(xiàn)狀，他步入了反派陷阱，引發(fā)了毀天滅地的危機......
查帕奎迪克
杰森·克拉克,凱特·瑪拉,艾德·赫爾姆斯,布魯斯·鄧恩,吉姆·加菲根,奧莉薇·瑟爾比,克蘭西·布朗,泰勒·尼科斯,約翰·菲奧里,吉利恩·瑪瑞娜·戈登,凱蒂·亨諾克,萊克西·羅斯,安吉拉·霍普·史密斯,文斯·泰瑟,維克多·沃倫,大衛(wèi)·德·貝克,安德莉亞·布萊克曼,比爾·亨弗瑞斯,湯姆·奧布萊恩,莎拉·伊麗莎白·米切爾,保羅·佩普,雅各布·海德,克里斯·埃杰利,瓦利·維吉爾特澳大利亞男演員杰森·克拉科將出演影片《查帕奎迪克島》(Chappaquiddick，暫譯)，他在片中飾演肯尼迪家族成員之一參議員愛德華·肯尼迪，即肯尼迪總統(tǒng)的弟弟。《面紗》導(dǎo)演約翰·卡蘭執(zhí)導(dǎo)筒。影片將聚焦1969年以愛德華·肯尼迪為核心的“查帕奎迪克丑聞事件”，“肯尼迪詛咒”再次現(xiàn)身大銀幕。
黑暗崛起
卡特麗娜·洛,拜斯·約翰遜,希瑟·馬祖爾,邁克·沃特福德,Christian GaniereNearly murdered as a child by her mother, a woman (Katrina Law) returns to the house where her mom went mad.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
媽媽：來自Neraka的祝福
漢娜·阿爾·拉希德,卡莉斯塔·阿魯姆,Nova Eliza普特里一直只知道她的母親薩里是一位才華橫溢的塔羅牌占卜師，深受眾多高官顯貴和商界名流的信賴。她對薩里幾乎沒有任何私人記憶，直到薩里在一場事故中喪生。有一天，普特里收到了一條手機短信——來自她已故母親的號碼。起初，她以為這只是個惡作劇。但漸漸地，這些短信開始指引她未來的命運——而這些命運真的發(fā)生了。普特里慢慢意識到，這些短信確實是她母親發(fā)來的。