活潑的繼母

愛(ài)的錦囊妙計(jì)

　　一名廣告主管和一名時(shí)尚設(shè)計(jì)師博主都不相信愛(ài)情，于是他們立下賭約，要用不尋常的策略讓對(duì)方陷入情網(wǎng)

父子婚事

 故事梗概：忠厚善良的老獸醫(yī)葛老壯，年輕時(shí)妻子與人私奔，至今已鰥居30年。他的兒子大優(yōu)是個(gè)養(yǎng)豬專業(yè)戶，現(xiàn)已30多歲，依然光棍一條。父子倆相依為命，勤勞能干，生活過(guò)得還算富裕。老壯雖恨妻子，但又始終對(duì)她難以忘情。隔壁熱情善良的張寡婦對(duì)老壯百般殷勤，提出把兩家變一家，但他礙于舊的傳統(tǒng)觀念始終無(wú)動(dòng)于衷。兒子大優(yōu)因頭頂光禿，戀愛(ài)屢屢受挫。這天，他又有約會(huì)，臨行前，特意戴了一頂帽子“遮丑”。姑娘對(duì)他印象不錯(cuò)，滿心歡喜的大優(yōu)騎車(chē)帶著姑娘去玩。途中，不小心將帽子掉在地上，露出了禿腦門(mén)，姑娘生氣的離他而去，婚事告吹。大優(yōu)總結(jié)教訓(xùn)，將帽子捂得緊緊的再次去相親，無(wú)奈炎熱天氣使他無(wú)法忍受，終于掀掉帽子，這次相親自然又遭失敗。村里的莫得蒙中年未娶，從外地拐騙來(lái)一個(gè)漂亮姑娘阿嬌留作媳婦，無(wú)奈阿嬌寧死不從，他便以3000元“介紹費(fèi)”把阿嬌買(mǎi)給了大優(yōu)。當(dāng)晚，大優(yōu)迫不及待地要與阿嬌同房，阿嬌哭哭啼啼地道出原委，大優(yōu)對(duì)她深表同情，不忍心傷害她。這時(shí)，大優(yōu)的生母鳳仙，忽然從香港回來(lái)看望他們父子。原來(lái)，他的丈夫已去世。如今，他懷著內(nèi)疚的心情向老壯父子贖罪，但過(guò)去的畢竟無(wú)法挽回。最終，她還是懷著痛苦和惆悵的心情離去。大優(yōu)很愛(ài)阿嬌，對(duì)她百般照顧關(guān)心，但他從父親講的故事中悟出知音可遇不可求的道理，決定送阿嬌回家。大優(yōu)給了阿嬌一些錢(qián)，親自送她上公共汽車(chē)。若有所失的大優(yōu)回到家中，身后突然穿來(lái)阿嬌深情的呼喚：“大優(yōu)哥”，葛家父子頓時(shí)轉(zhuǎn)悲為喜。正當(dāng)他們沉浸在喜悅之中時(shí)，警車(chē)來(lái)到大優(yōu)家。原來(lái)，葛得蒙拐騙案發(fā)，警察來(lái)救阿嬌回家。然而，已愛(ài)上大優(yōu)的阿嬌不愿離去，警察例行公事還是帶走了阿嬌。戀戀不舍的阿嬌含淚喊著：“大優(yōu)哥，我會(huì)回來(lái)的！你等著我！”

狂野時(shí)代

　　影片講述“迷魂者”（易烊千璽 飾）通過(guò)體驗(yàn)視覺(jué)、聽(tīng)覺(jué)、味覺(jué)、嗅覺(jué)、觸覺(jué)五感，跨越一個(gè)世紀(jì)的故事。而“大她者”（舒淇 飾）則好似是打開(kāi)“迷魂者”故事的鑰匙......

異星入侵：鳳凰出山

　　An asteroid shower hits a space station, then lands in a remote section of the Grand Canyon. Mysterious pods form and soon mutate into creatures that threaten the space station and Earth.

硬幣問(wèn)魂

罪人和圣人

　　故事發(fā)生在新奧爾良，這里是犯罪者們的天堂。西恩（強(qiáng)尼·斯特朗 Johnny Strong 飾）是一名嫉惡如仇經(jīng)驗(yàn)豐富的警探，他的兒子在一場(chǎng)意外之中不幸死去，妻子亦因此而選擇了離開(kāi)，幾乎是在霎時(shí)間，西恩失去了重要的一切。西恩將所有的仇恨都算在的犯罪分子們的頭上，在工作中，他的作風(fēng)更加暴力武斷，對(duì)對(duì)手毫不留情，因此屢屢遭到投訴，瀕臨被停職的邊緣。　　近日里，西恩的轄區(qū)內(nèi)頻頻發(fā)生性質(zhì)十分惡劣的暴力事件，兇手手段極為殘忍，就連毒梟韋德（馬索·曼恩 Method Man 飾）的弟弟也深受其害不幸死去，而這一切的罪魁禍?zhǔn)资呛晚f德對(duì)立的幫派首領(lǐng)雷蒙德（科斯塔斯·曼迪勒 Costas Mandylor 飾）。

那個(gè)人在想什么事情

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.